It’s that time of year when I take a day off work and watch the Oscars. Because they are broadcast live in the early hours of the morning here in the UK (and as I pretty much always have a need to get up early the next day, even if I have the day off it seems), I resort to recording the show and then watching it the morning after. This requires a careful media blackout when I wake up to avoid spoilers, but I usually manage this successfully, and this year was no exception.
I didn’t start watching it until 9:30am and, because it’s such a long show, it didn’t finish until 1:30pm (taking into consideration my fast-forwarding through some of the breaks, but also pausing it to get drinks, snacks, and lunch).
Of all the main nominated films this year, I’ve only gotten around to seeing two of them – Dune Part 2, and The Substance – so will have to try and catch up on the others when they appear on one of the streaming services. Sadly I don’t get to the movies as much as I once did – before we had kids we’d regularly see two or three films in a week at the cinema – and don’t really get enough time to watch that many at home either (not without sacrificing other activities, at least). Maybe one day, when I’m retired, I’ll have enough time to do all the things I’d like to…
Olympus OM-10, E-Zuiko 35mm f/2.8 & Kodak Ultramax. Lab developed, home scanned and converted with Negative Lab Pro.
Today has been split (so far) into four main sections.
Firstly, my dad paid his usual Sunday morning visit. He arrived a little earlier than I expected because he’d walked it (he still walks miles most days – not bad for a guy in his mid-eighties. I hope I might be as fit when I get to that age!) and I was still sorting the cats out when he got here. I didn’t hear him come in, but I’m not sure if this was because I was outside, or if my hearing is getting worse.
The second chunk of the day was spent developing a roll of Ilford HP5+ that I shot recently. This one was deliberately pushed a stop (unlike yesterday’s accidental push) and the negatives look nice. I’ll maybe get to scan them later this week.
After the developing was done and all the gear tidied away I grabbed something to eat and then watched The French Connection on TV. Hearing the sad news of Gene Hackman’s death (along with his wife and dog) made me remember I’d never watched the movie (I’ve seen the car chase scene on clip shows many times though), so I decided to put that right. I enjoyed the movie a lot. It’s interesting to see how film making styles have changed over time.
The fourth part has been scanning some negatives – a roll of Kodak Gold shot with the Kodak H35N half-frame camera I got for Christmas from my Secret Santa. I’ll say more about this camera and the results in a future post, but the 70-something frames seem to be taking forever to scan. As I type this I still have two full strips to go, and I’ve been scanning a strip a day since the middle of the week!
The rest of the evening will be spent watching TV.
I mentioned the circus – Circo Raluy Legacy – that made up part of Barcelona’s Christmas attractions beside the marina in my post a couple of days ago, and here’s a picture of it.
Olympus OM-10, E-Zuiko 35mm f/2.8 & Kodak Ultramax. Lab developed, home scanned and converted with Negative Lab Pro.
I was reading an online post today from someone who suffers from anxiety, and how they used journalling as a means to help deal with it. One of the things they found useful was to list a number of good things that had happened during the day, and to also set some goals for the following day.
I suffer from anxiety sometimes. Mostly it’s focused on a particular issue and goes away when that thing has been resolved, but I do tend to worry about things in general too. This doesn’t tend to give me the same physical and mental symptoms as actual anxiety, but is more of a constant low-level awareness of things that might be (but not necessarily, will be) a problem. Sometimes this can lead to catastrophizing and imagining extreme outcomes from often innocuous things, such as someone’s tone of voice, or something I overhear. I’ve gotten better at recognizing these situations, and I can usually talk myself out of this behaviour, knowing that the thoughts are unrealistic and ungrounded.
Knowing this, I’m going to make an effort to look out for the good things each day, and make a note of them when they happen. I think that setting my weird mind looking out for good things will be a much better use of energy than imagining what might be bad. I’ll try to list some of them here each day.
Something good that happened today…
I took down the Christmas decorations. This is something I don’t enjoy very much and which always makes me feel a little bit sad that Christmas is over for another year, so it might seem weird that I’m using it as “something good”. But the fact is that, despite my sadness that I’ve had to take them down (not that I would leave them up indefinitely or anything), I don’t actually feel too bad about it. I think I was more worried about being sad, than actually sad, and I feel fine now.
I also had our two cats helping me which was kind of annoying, but also nice. A balance between the frustration that they were constantly getting in the way, and the delight at seeing them sitting in every single box they could find (usually just as I was about to put something inside it!), which made me smile and laugh.
Today’s pictures are the last of the batch I took when I visited King’s Lynn back at the start of autumn (I know I say this a lot, but time really is flying by quickly as I get older!). This cottage forms part of the border of the grounds of St. Nicholas’ Chapel, a church dating back to the 11th century.
Somehow, another year has concluded. I feel that I’m spinning closer and closer to whatever is at the centre of everything, each orbit feeling shorter than the last. At this rate, I expect a year to feel like five minutes before too long!
So as the year comes to a close I’ll pick my annual selection of favourite pictures, one from each month. very subjective as usual, and as always I could have picked one of several from some months. The pickings have become much slimmer over the past couple of months though, mostly due to other matters being on my mind and not shooting as much. December’s entry (given I’m keeping this selection film-based) is one I’ve only shot since Christmas, and only developed and scanned today. I expect this one may be usurped as I have a couple more rolls yet to scan (and one roll of colour from Barcelona to send off for processing) which may contain a preferred picture. We shall see.
One thing I’ve noticed is that I seem to have gone for a bit of a bridge theme for this selection. 🙂
I’ll end this bit by wishing you all a very happy New Year and wish good things for us all in 2025. Have a good one!
Another picture taken in close proximity to those posted over the last couple of days.
This is a bit of a “tripod holes” scene, and you can probably fine a large number of alternative (and probably better) photographs of the same location. It sits beside one of the main paths leading through Padley Gorge so, unless you take the path on the other side of the gorge, you can’t really avoid it.
Still, I’m quite happy with how it turned out. I’ve cropped in a little to remove some additional brightness where the grey and overcast sky was visible through the branches at the top of the scene.
Chamonix 045n-1, Schneider-Kreuznach Super-Angulon 5.6/90 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
Today’s picture was taken just a stone’s throw from the one I posted yesterday, but shot a year later. Thankfully the Kodak Ektar sheet fil, already expired by a few years when I loaded it into the holders, has stood the extended wait quite well, especially as it was just sat in my office and not refrigerated during this time. I wonder if we sometimes get overly concerned about the longevity of film if it’s not cold stored? I expect that, unless you’re in particularly adverse conditions, it will fare quite well at normal room temperature in a temperate environment.
Chamonix 045n-1, Schneider-Kreuznach Super-Angulon 5.6/90 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
I remember thinking at the time that I might as well just pull the sheet of film from the holder and throw it in the bin, such was my certainty that I’s messed it up beyond salvation. In the end, I decided to leave the sheet in the holder until I shot the remaining three sheets I had loaded on some other outing. It took almost a year before that next outing with the 4×5 Ektar came around.
Tempting fate somewhat, I returned to the same location – Padley Gorge – although the weather wasn’t particularly inspiring, it being a typical UK dull and overcast autumnal day. Nonetheless I decided to shoot the remaining three sheets I had loaded into my film holders. This being the first time I’ve shot colour 4×5 film, and as I don’t have the chemicals or equipment I’d need to develop the film at home (as I do with black and white), I had to find somewhere to send the film to be processed. I also had to locate a spare film box that I could use to send the sheets (they need to be sent in a light-tight container, usually a double box with a lightproof bag inside). It ended up being a month before I managed to post them out to the lab I chose, then another week to get them back.
When I saw the negatives, the original badly exposed shot looked a little thin, so I was expecting a bad result. Imaging my surprise when the picture you see below appeared from the scanner! It’s the best of the four sheets by far, I think. Yes, I’ve done some post-processing to make it look its best, but nothing too dramatic, and I’m extremely happy with the result. If you click the photo you can see the full-size version on Flickr, with all the lovely detail that a large format photograph provides.
There’s a lesson here about not giving up on things, even when they seem a lost cause…
Chamonix 045n-1, Schneider-Kreuznach Super-Angulon 5.6/90 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
About a week after returning from Dubrovnik, I drove to Retford (a town in Nottinghamshire about 25 miles to the east of Sheffield) with the intent of using up the last of the Kodak Gold in the camera after the holiday. It was a beautiful early summer day with blue skies and fluffy cumulus clouds.
I parked the car in the town centre (where I had to scrounge a pound from a passerby as the parking meters didn’t take card payments and I didn’t have enough coins) and then headed out to where the canal passes to the east of the town. From there I took a leisurely walk westwards along the Cuckoo Way, making a number of photos, a selection of which are included below. Eventually I left the canal and took a few more pictures on my way back into the town centre, but I’ll post those tomorrow.
Canon Sure Shot Z135 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
A few years ago I took an inventory of all the film I had and created an Excel spreadsheet so I would know how much film I had, of what type, and how old it was. Over time the data began to slip when I forgot to update the inventory upon shooting a rol or acquiring more. I’ve been meaning to update it for a while now, and today was the day.
It turns out I have a lot of film. One hundred and sixty eight rolls (or, in the case of 4×5, boxes) to be exact. And I have fifteen more rolls heading my way next week! This has been acquired since I started predominantly shooting film again around 2016. I bought a bit here, a bit there, but clearly at a greater rate than I manage to use it.
The breakdown is as follows:
45 rolls / boxes of black and white film
88 rolls / boxes of colour negative film
35 rolls of colour reversal film
The breakdown by format is:
35mm – 86 rolls
Medium format – 78 rolls
4×5 – 4 boxes – apart from one these are not full ( a couple of them only have 6 sheets remaining)
The majority of the film in the stash is also expired. a few rolls are several decades old, but most is quite recently expired and, as it’s been refrigerated or frozen, should be perfectly fine to use still, although I am conscious of the fact that it ain’t getting any fresher either!
The breakdown of expiry by decade is:
1970s – 2 rolls
1980s – 5 rolls
1990s – 9 rolls
2000s – 24 rolls
2010s – 19 rolls
2020s – 76 rolls
Unknown expiry – 7 rolls
In date – 26 rolls
What this exercise tells me, is that I ought to stop buying any more film and shoot what I have. To be fair on myself, this is what I’ve been doing but, unless I start using a motor drive, it’s a slow process and likely to be curtailed sometimes when I need to buy film that I use often (such as 400asa black and white like HP5+ or Tri-X) or, thankfully less frequently, when I see a deal on film that is worth taking advantage of (as is the case with the 15 rolls I have coming soon).
But the stuff I already have, well I need to start making a better effort to go and shoot it, particularly in the case of the much older stuff (some more Expiriment posts, perhaps?), but also with the stuff that I perhaps hold onto because I see it as precious, maybe because it is no longer in production, or perhaps because it is expensive. I have a tendency to hold onto this film while I wait for the perfect conditions to shoot it, conditions which rarely occur. While I don’t want to waste film on throwaway photography, I do need to be less prescriptive on where and when I will shoot film that is getting longer and longer in the tooth.
I’m fortunate to have acquired such a stash – I could shoot a roll a week for over three years and not run out – but I really want to see it reduce somewhat. Maybe I’ll gift a few rolls as Christmas presents, but what I really need to do is get out and shoot some of it!
This is just the stuff in the fridge. I also have an entire drawer in the freezer (which I suspect my wife would like to be able to store food in…)!