Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 24 March 2024
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 24 March 2024
I was going to publish the second part of my West Stockwith to Misterton walk post today but I got waylaid on other important stuff (not playing Fallout 4, honest… 😉 ). I will endeavour to write it for tomorrow though.
It’s not been all videogames today though, most of the day was taken up by a trip to Bakewell with my wife as there was a food market on. Other than a couple of bratwurst’s for lunch, and some cakes from a shop, we didn’t actually buy that much food. My wife came home with a new coat though, and I bought a second-hand Ladybird book (one that I used to own as a child).
I took a handful of photos while there, although I’ll have to wait and see if any of them were worthwhile. One, at least, ought to be interesting.
So instead of photos from my second planned Walk With a Camera outing, here’s a picture of the closed post office in Eyam (which, to be fair on myself, I shot during the earlier hike I posted about here).
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 9 March 2024
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 9 March 2024
A couple more photographs taken inside St. Martin’s church.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 9 March 2024
A couple of pictures of hand-made hassocks on the wooden pews within St. Martin’s church in Stoney Middleton.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 9 March 2024
This church featured in the second part of my Eyam to Stoney Middleton hiking post a couple of days ago, the picture shot with my Olympus XA-3. The pictures today were taken with my Yashica Mat 124G.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 9 March 2024
Despite my hopes and promises of doing one of these posts each month, I seem to have failed miserably when it comes to doing so – the last post in this (very occasional!) series was back in November 2022.
I did shoot another roll of expired film last summer but I was unhappy with the results and ended up converting the pictures to black and white. While they looks pretty nice after the conversion, these posts are aimed to be about keeping to the original results from the film used with a minimum of post processing. Converting to monochrome was a step too far.
No such worries with the next roll though, some 120 format Kodak Portra 400NC that expired in 2007. 2007 doesn’t feel like that long ago but it was prior to the global financial crisis and is fast approaching twenty years ago!
Portra 400NC was discontinued by Kodak in 2010, when the current range of Porta films (160, 400, and 800) was introduced. Kodaks description of 400NC was: “Offers fine grain, low contrast, and colors and skin tones that look real and natural in a variety of lighting situations.” There is a brochure online on Kodak’s website which covers the full rang of (as was) Portra films from this period. There’s a strong hint that it was aiming for the wedding photography market…
I don’t photograph weddings and, even if I did, there’s no way I’d risk a seventeen year old expired roll of unknown provenance on such a once-in-a-lifetime event. For the sort of subjects I normally photograph however, I was willing to take the risk.
Despite the limited number of shots, I decided to shoot it with my Fujica GW690 6×9 medium format camera, giving me just eight potential pictures from the roll. The first outing was to my favourite seaside haunt of Mablethorpe. Normally when I visit Mablethorpe I will wander around all day making photographs. However, this year, I took my dad along for a day out, so knew from the outset that I wouldn’t be shooting as much. In the even I only used three frames on this outing, and one of those was a misfire when the camera was in my bag! I’ve since started to avoid winding the film in the GW690 after taking a shot to prevent this expensive mistake from reoccurring. Unfortunately, the Mk I GW690 that I own doesn’t have the shutter button lock that the later models do.
So the first two shots from the roll were of beach chalets / huts that stand along the beach promenade. The weather on the day was bright, but a layer of thin high-level cloud, robbed the light of contrast. Nevertheless, for outdated film the results were pretty good.
The second batch of shots – the remaining five on the roll – were shot one misty morning at Rother Valley Country Park. While I find the park a little uninspiring due to over-familiarity, cold misty morning usually provide some nice pictures, and this occasion bore that out.
The first shot is a little dull perhaps, but the light was nice. It’s just a suburban street I walked on my way to the park. You can just make out the mist hanging over where the lake is in the middle of the shot though. There’s a line of pylons that run between the houses and the park. The towers are out of frame, but the powerlines themselves can be seen.
The next shot is one of my favourites from last year, a beautifully autumnal scene of a small maple tree, it’s leaves turning but not yet fallen, nicely separated from the background by the mist. I’m not sure if the colours are true to life, but they look gorgeous, so I’ll take that as a win.
The mist was already burning off under the gaze of the morning sunshine when I took the next picture. A simple landscape scene of the lake with the boating centre on the far bank. There’s still enough mist left to provide some pleasant atmosphere to the photo though.
I took another photo very similar to the one above which had a couple of swans in the frame, but the one above is the best, I think.
The last shot is another lone tree, but this time I shot directly into the light. It’s not as good as the other tree picture, but I do like the way the tufts of dew and cobweb covered grass are illuminated at the bottom of the frame. The lens of the GW690 shows no signs of flare, even in this challenging scene.
So, apart from a wasted shot, this was another expired film success. When I shoot old colour film I’m not really expecting accurate colours, just pleasing ones, and this delivered on that.
Overall outcome: Success!
Expiriment #5 coming soon (Yeah, I know…)…
Fujica GW690, Kodak Portra 400NC (expired 2007). Shot at 160asa and lab developed for box speed. Home scanned and converted with Negative Lab Pro.
Taken on 30 September and 25 October 2023
Other posts in the Expiriment series:
Expiriment #1: Ilford HP5 (expired 1982)
The Woodhouse Mill regulator stands at the northern end of Woodhouse Washlands beside the B6200 Retford Road. It has been there for as long as I remember – unsurprising as it was commissioned a decade before I was born!
Although I know it has been used on many occasions, causing the expected flooding of the washlands, I’ve never actually seen it in use.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 3 March 2024
There are a number of these raised manhole covers to be found on Woodhouse Washlands. They stand, like strange tumuli atop their mounds of grassy earth.
I expect they are raised to prevent them from flooding if the washland is submerged when the river is high as they probable provide access to sewage pipes – there is a sewage treatment works at the northern edge of the wetlands, just across the B6200 road that marks the boundary.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 3 March 2024
One of the interesting features about Woodhouse Washlands is how it can change noticeable when flooded. As it’s a floodplain (with a flood barrier at the northern end to boot), this is to be expected and, to be honest, it becomes somewhat challenging to navigate without getting wet and muddy in these circumstances. It does allow for different photographs to be found though. What were previously just grassy fields, now become ponds.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 3 March 2024