Film photography · Medium Format · Photography

Muddy cow

This was, I think, the last photograph I took before Christmas. It’s certianly the final shot from the roll of HP5 that I shot on the 23rd December. After making most of the pictures near Meadowhall and the nearby M1, I decided to drive home on a circuitous route to see if there was anything I could use the remaining few frames on. After taking a landscape shot of some haybales, I came across a farm I’ve never driven past before which had a wonderful (and very muddy) farmyard right beside the road, where a herd of cows were feeding and taking shelter. This photo is one of two I took.

The farm has a shop and I bought myself a very tasty black-pudding sausage roll for my lunch while I was there too.

FILM - Should've worn your wellies

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 23 December 2019

Film photography · Medium Format · Photography

The Sportsman Inn

Sheffield, as with many cities, towns and villages in the UK, has a significant number of closed pubs. Whereas pubs in residential areas and the city centre still survive (and thrive) – either due to footfall, location, or by adapting to changing tastes and becoming family orientated pub-restaurants – in places that were once centres of heavy industry, they haven’t fared so well.

The east-end of Sheffield was once carpeted with steel foundries, engineering firms, and manufacturing industry. While this is still the case to some extent, much of the heavy industry has gone and with it the huge numbers of workers keen to slake their thirst after their shifts came to an end.

The decline in this industry has also changed the residential makeup of the surrounding areas. Row upon row of terraced houses that used to house the workers and their families have now either been demolished, of are now inhabited by new generations less inclined to spend their leisure time in public houses. As a result of this, huge numbers of pubs in the area have been closed or re-purposed.

The picture today is of the Sportsman Inn, which is on Blackburn Road in Sheffield. The pub was acquired by Gilmours in 1906, so probably dates back earlier than that. The facade staes 1919, but that is apparently when the pub was rebuilt (perhaps after bomb damage during the first world war?). The pub probably closed sometime in the last five years as the WhatPub site last updated it’s page in 2016, when the pub appeared to be still trading.

FILM - The Sportsman Inn

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 23 December 2019

Film photography · Medium Format · Photography

Across and up

This is a footbridge across the M1 motorway just north of junction 34. I’ve driven beneath the bridge on many occasions, but have never walked across it before I took this photo. It’s quite a long way down when you get to the upper end, with traffic hurtling beneath.

I’ve thought about taking photos in this area on more than one occasion as I’ve driven past, and so I finally took the opportunity to do so just before Christmas. It’s hardly the most beautiful of places, but there are lots of interesting photos to be had.

FILM - Ascent

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 23 December 2019

Film photography · Medium Format · Photography

Nineteen

A shot taken a couple of days before Christmas in typically wet UK December conditions. It was raining quite heavily when I took this so I perhaps rushed the shot a little. With hindsight I should have either gotten lower or angled the camera down to get more of the reflection in frame (and at the same time removing some of the somewhat uninteresting sky). I have thought about cropping it, but in the end decided not to.

I do like it though, and think it might be worth a re-visit if there are similar wet conditions (and an empty car park) again at some point.

FILM - 19

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 23 December 2019

35mm · Film photography · Medium Format · Photography

Day 365 – Twelve favourite photos from 2019

My initial plan for today’s post was to publish 12 photos that were taken this year but which haven’t featured in the blog, but on second thoughts I’ve decided to take the more traditional route. There might still be some that never appeared here before though – I tend to upload more stuff to Flickr than gets featured here – so aren’t you the lucky ones. 🙂

Today also marks the 365th consecutive blog post of the year – a target I attempted once before but which fell through when other events in my life took precedence. Not every blog was written on the day it was posted – in situations where I’ve been away from home I’ve pre-written blogs and then scheduled them to automatically publish (or made them live from my phone). Because of the way I link my photos from Flickr, I’ve found it’s a complete PITA to try and write and publish from mobile devices.

Anyway… Before I get on to the pictures, I just want to take the time to thank all who’ve viewed, interacted or commented on my blog over the year and to wish everyone a happy new year.

So, the photos…

January – This tree sits on the moors just south of Sheffield and is just a few metres from the roadside. It’s distictive shape made for an easy composition. Sadly the tree has now suffered damage – the last time I passed all that remained was the trunk as the upper branches have been broken off. 😦

FILM - In a lonely place (35mm)

Nikon F80, Nikkor 28-80mm f/3.5-5.6 AF & Fomapan 400. Taken on 20 January 2019

February – Eyes in the back of his head? One of the tenets of street photography is to be prepared and ready to catch that decisive moment when it occurs. Sadly, this is rarely the case for me and I’ve missed loads of potentially nice shots due to fumbling with the camera. This was one of the times I didn’t.

FILM - He's got eyes in the back of his head

Olympus 35 RC & JCH Streetpan 400. Taken on 15 February 2019

March – Portraiture is not something I have much of an interest in, particularly studio portraits (although I do enjoy looking at environmental portraits), so when an opportunity arose to photograph some models at the local camera club I wasn’t sure whether I’d enjoy it or not. While I can’t say it ignited any desire to take more portraits, I was very pleased with my results, one of which is below. It isn’t prefect (the creased backdrop lets it down a little), but the way the Sigma 105mm lens and the Kodak P3200 rendered the images is lovely.

FILM - WPS Model Session-2

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Tmax P3200. Taken on 19 March 2019

April – A gate on a public footpath through Edale in the northern Peak District National Park. I think this photo has a certain charm to it, there’s a sense of mystery as to where the path leads and what might be beyond the gate. This is from the penultimate roll of film through my Yashica Mat 124G last year. I shall have to rectify this situation and shoot with the camera again post haste!

FILM - A path near Edale

Yashica Mat 124 G & Fomapan 100. Taken on 20 April 2019

May – During May I visited New York with my family. It’s the second time I’ve visited (and I’d love to return – although I think my wife would prefer somewhere else in the US if we get across the Atlantic again) – I could have spent all day, every day just walking the streets taking photos. It was a family trip though, so I grabbed whatever I could. This is just a view down 7th Avenue after a rain shower, but it screams New York to me.

FILM - 7th Avenue

Canon Sure Shot Z135 & Ilford HP5+. Taken on 28 May 2019

June – A box of pre-owned pool balls on a stall at the Sheffield Steam Rally. I think I might have said at the time that colour would have been a more obvious choice here, but I love the contrast given by the HP5+.

FILM - Balls

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Ilford HP5+. Taken on 30 June 2019

July – The beach at Scarborough. My wife and I took a trip to the seaside and I shot a roll-and-a-half of film during the day. This is just a snap of the beach, the people enjoying themselves there, and some yachts in the sea beyond, but it has a nice “Martin Parr” feel to it that I like. It was also an opportunity to test the little Pentax Espio compact that I’d bought for £1 a fortnight before.

FILM - On the beach

Pentax Espio 140M & Fuji Superia 100 (expired 2008). Taken on 13 July 2019

August – Taken at the Lincoln Steam Rally – the first time I’d attended this event, but it was huge and I hope to go again in 2020. I shot four rolls of film on the day, but this Ektar shot of a vintage truck is a favourite. The almost 70-year-old Zeiss Mess-Ikonta continues to impress with it’s superbly sharp lens.

FILM - ERF

Zeiss Mess-Ikonta 524/16 & Kodak Ektar. Taken on 17 August 2019

September – A day trip to my childhood seaside haunt: Mablethorpe. It’s a place I’m always drawn back to, even though I’m always slightly disappointed that it hasn’t remained frozen in time as I remember it from when I was a child. Another day where several rolls of film were shot (including three botched rolls through my Holga because I had it set to bulb mode!). I’ve many photos from the day that I like, but this is the one that always springs to mind when I think back.

FILM - Water dragon

Olympus 35 RC & Kodak Portra 400. Taken on 13 September 2019

October – I took a trip to Doncaster racecourse with my dad, and this is one of the photos from the day. The weather was awful, with heavy rain all day, but oftentimes bad weather makes for good photos.

FILM - A day at the races

Olympus OM-1, Zuiko 75-150mm f/4 & Ilford HP5+. Taken on 25 October 2019

November – This shot is potentially my favourite of the whole year. The simple but beautiful charms of the Holga coupled with a wonderfully foggy day made for some amazing photographic opportunities.

FILM - The path untaken

Holga 120N & Kodak Tmax 400. Taken on 30 November 2019

December – December is a little difficult as, as I type this, I have three rolls of film waiting to be processed still and there might be a showstopper on there (or possibly not), but this image that I took just before Christmas on a lunchtime walk is definitely worthy of the spot. It’s another Holga 120N image, but cropped to a 4×3 ratio (the bottom of the frame has a river in it, but it didn’t add a lot to the overall image and the landscape crop works much better. The way the Holga renders out-of-focus details is wonderful, and almost impressionistic in style.

FILM - Breaking through

Holga 120N & Kodak Tmax 400. Taken on 18 December 2019

So there you have it. Twelve favourite shots from 2019. As with any list like this it’s subjective, and if I were to do it again tomorrow several of the selections might change, but for now it will do.

One final word – I’ll proof read it later, so apologies in advance for any typos or grammatical goofs. 🙂

Film photography · Medium Format · Photography

At the edge of the reservoir

This photo was taken shortly before the picture of the flying gulls that I posted yesterday. It’s one of several I took (this one and yesterday’s with the Zeiss Mess-Ikonta, and the others with the Holga 120N).

There were a significant number of birds present. Most of them were out on the water as I approached, but they’re obviously used to being fed by people as, as soon as I appeared, the whole lot of them swam or flew straight to the shoreline and right up to my feet. They then all flew away suddenly in a cacophany of flapping wings when a lady with a dog turned up. As soon as they saw she had a big container of food for them they soon came back though, completely ignoring the dog.

I nearly had a mishap while taking these. There was a “No Swimming signpost that I thought might make a nice image, but the muddy floor was extremely slick underfoot and I almost went down on my back when my feet slipped. In the photo, the floor looks like a gravel surface, but this is misleading – it’s actually a thin layer of slippery mud with leaves dotted through it. Thankfully, my ninja-like reflexes saved the day.* 🙂

Both this and yesterdays photo both managed to find their way into Flickr Explore this morning, although the one with the flying gulls dropped from the list later on.

FILM - Reservoir's edge

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 30 November 2019

* Ninja-like reflexes = lumbering middle-aged bloke who got lucky this time.

Film photography · Medium Format · Photography

Autumn bandstand

I visited the town of Barnsley on Saturday. There are three photo exhibitions currently on show at the Barnsley Civic that I wanted to see. The one that attracted me initially was Broth Tarn, a collection of gritty northern street photography by Sean O’Connell. It was featured in The Guardian newspaper recently and looked to be right up my street. O’Connell has an Instagram feed that features his work here.

The other exhibitions were Barnsley Markets 1982 – 1987 featuring photographs by Harry Brooks taken in the 1980s of, you guesed it, Barnsley Markets, and North: Fashioning Identity  which explores nothern identity and fashion which features work by many photographers, including Peter Mitchel and John Bulmer. While the latter exhibition wasn’t my prime reason for the visit, I very much enjoyed the experience (and took a few photos while exploring the photos and displays).

While I’ll likely be publishing some of these photos, this is pretext to today’s pictures which were taken later in the day when I stopped off at Elsecar Heritage Centre on my journey home. By this time, despite the lovely early morning sunlight at the start of my trip, a thick fog had descended across the entire region, and fog’s not something I like to miss if I get the chance, so I set off to get some more images before I headed home.

Across from the heritage centre is a park and Elsecar Reservoir, and in the park is a bandstand. I loved the way it looked in the fog, backed by misty skeletal trees and flanked by empty benches. I’m a Stephen King fan, and the scene evoked the bandstand in the fictional town of Castle Rock where a terrible event takes place in the novel The Dead Zone.

As well as the Zeiss, I also had the Holga with me and took further pictures with that, so they might turn up in a post in the coming days too.

FILM - Castle Rock evoked

FILM - Late autumn atmosphere

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 30 November 2019

Film photography · Medium Format · Photography

A couple of pubs

A bit of a dip into the archive for today’s post. I present here a couple of photographs of pubs in Sheffield. They are from a series of images I made that were going to form the basis of a project I was working on. The project kinda fizzled out, but I have a roll or two of images that I shot for it that I’ve not really done much with (although at least a couple of others have appeared in the blog at various points).

The two photos were taken almost two years ago on a wander around Sheffield city centre on a Sunday, and I’ve chosen these two as they feature the same subject matter – public houses. Despite the seemingly never-ending set of pub closures that is befalling the UK, city centres seem to be less affected, and there are still a wide ranges of places still open and thriving. Although these photos were taken two years ago, both of these pubs are still in business as far as I know, and the areas in which they stand are undergoing a lot of renewal (from old, small industrial units, to new businesses, university facilities and residential conversions). If such a time comes when they are no longer trading, then I’m glad I have these documentary pictures.

FILM - Rutland Arms

FILM - Lord Nelson

Zeiss Mess-Ikonta 524/16 & Fomapan 100.

Taken on 12 November 2017

Film photography · Medium Format · Photography

Golden balloon

Back in August I visited Renishaw Hall, a local stately home. The main reason for my visit was to take some photographs in the Italianate gardens for a photo comp I’m involved with. My photo did pretty badly, as it turned out, so from that point of view the visit (and £8 entrance fee) was a bit of a waste of time, but I still enjoyed the day and it might be nice to visit again when the autumn colours are in better evidence.

Anyway, I took some other photos during the visit, including shooting half a roll of Ektar. For some reason, several of the Ektar shots are very contrasty with little shadow detail – looking almost like underexposed slide film – but some came out ok, including this one.

FILM - Golden chairs Golden balloon

Zeiss Mess-Ikonta 524/16 & Kodak Ektar.

Taken on 26 August 2019