35mm · Film photography · Photography

Kodak Gold woodland

A couple of photos taken in woodland beside the Chesterfield Canal, the smell of wild garlic heady in the morning air. Although I’d started my walk quite early, because of the time of year the sun had already risen quite high by the time I made these photos.

Wild garlic woodland

This sort of scene, with sunlight dappling the woodland floor is beautiful to look at but often makes for disappointing photographs due to the difference in dynamic range between the sunlit highlights and the much darker shadows. While the eye deals with such things without issue, film and digital sensors tend to fare poorly. Still, I took a couple of shots because I thought I might get away with it in this instance as there was more shade than sunlight. I think they turned out quite well for a consumer grade film.

Natural reclamation

Nikon F80, Nikkor 50mm f/1.8 AF-D & Kodak Gold 200.

Taken on 31 May 2020

Film photography · Medium Format · Photography

Sun-dappled monochrome woodland

Making black and white photographs in woodland, or any other place featuring large areas of green foliage, can sometimes be tricky. Without well defined subject matter I find tht such scenes can become a mass of mushy grey textures. Differing shades of green that are easily discernible to the eye merge into less defined shades of varying brightness.

So I think a clearly defined subject is important, either seperated by brightness, contrast or texture, or isolated in some way, such as it’s placement in the composition, or by using a shallow depth of field to add separation.

I think the photo today uses a bit of both techniques. The trunk that is the point of focus is isolated here by the light that falls on it (or rather doesn’t) – there’re splashes of sunlight, but overall it is darker than the background where more light is falling. I also opened the aperture to throw the tree into focus while leaving everything else softer.

I’m happy with how the shot turned out – I have a number of similar photos from other outings that didn’t work as nicely!

in the shady forest

Yashica Mat 124G & Fomapan 100. Ilfotec DD-X 1+4 8 mins @ 20°.

Taken on 22 June 2020

Film photography · Medium Format · Photography

No cycling. No horses. Up yours. :)

I made this photo back on the 23rd May and posted about the walk I’d taken on the same day. In that post there’s a section about me accidentally going off my planned route and ending up in some private woodland. The tree in today’s photograph was one of the first things I saw when entering.

Clearly some cyclist or horse-rider has taken umbridge with the suggestion that they are not allowed in the woods and had responded with a coarse, but good natured retort. It made me smile and take the time to make the photograph.

I wondered how the Yashica Mat would cope with the light as the bright sun was directly in frame – if partially obscured by branches – and I half expected a lot of lens-flare or loss of contrast in the shot. As it turned out, it’s coped very well and I really like the glow around the disk of the sun as well as the backlit trees in the woodland.

The sunlight was so bright that it’s light crossed over into the next frame on the roll of film!

 

No cycling. No Horses. Up yours :)

Yashica Mat 124G & Shanghai GP3 (expired). Ilfotec DD-X 1+9 10 mins @ 24°.

Taken on 23 May 2020

Film photography · Medium Format · Photography

A bridge over the River Moss

Muchos grain in today’s photos, both Holga shots on expired Tri-X which resulted in pretty thin negatives. As a result I increased the exposure in Lightroom which has increased the noise in the images by a considerable amount.

Both images depict a wooden footbridge across the River Moss, where I took a walk last weekend.

FILM - Bridge over the Moss

FILM - Crossing point

Holga 120N & Kodak Tri-X (expired 2012).

Taken on 27 December 2019

Film photography · Medium Format · Photography

A walk in Whitwell Woods

The weather has been typically November-ish of late which, for the UK, means grey, wet and somewhat miserable. I’ve got several rolls of slide film with “Autumn” written all over them, but I’m starting to think that it’s going to be a somwhat lacklustre year for the colour. We’re in a situation (or at least we are in the part of the country where I live) where many of the trees have already turned and lost their leaves, while others are still largely green.

Despite this, there was a short break in the grey weather on Sunday, so I took a trip out to Whitwell Woods to see if there was anything to be seen and photographed. It was my first trip out with the Bronica in a few months (I think only the third time I’ve shot it, for that matter), and the first time shooting it without the metered prism and speed-winder / grip. As I took a tripod and lightmeter with me I didn’t envisage this being an issue, and it wasn’t.

That being said, my slight unfamiliarity with the camera resulted in my wasting three shots at the start of the roll, and for a couple of shots where I decided to open the 75mm lens to it’s widest f/2.8 aperture, largely missed focus. I’m not sure why this was as, although the depth of focus is pretty narrow at this aperture – particularly when the subject is close to the lens – I was confident that it was in focus in the viewfinder (with a split-prism screen). I think I might set up a test shot in a controlled environment to see if it was user error, or something else.

The woods themselves were very pleasant to walk through, although the paths were a bit squishy, and here are a few pictures.

FILM - Whitwell autumn

FILM - Lost in a forest all alone

FILM - Shattered

FILM - Autumn bokeh

Bronica ETRSi, Zenzanon 75mm f/2.8 & Fujifilm Provia 100.

Taken on 3 November 2019

35mm · Film photography · Photography

Barcode forest

The term ‘forest’ in the title up there is somewhat misleading. This is actually a small plantation of pines nestled into a meander of the River Rother not far from Eckington. It’s a place I’ve never visited before, but it has potential for some nice photos – it certainly did on the snowy, misty day when this photo was taken.

FILM - Barcode forest

Nikon F70, Nikkor 28-80mm f/3.5-5.6 AF-D & Ilford HP5+.

Taken on 4 March 2018