As a direct follow-on from yesterday’s post, here are the remaining shots from the roll of Kodak Gold that I finished off during a walk through Retford.
The first two pictures show Trinity hospital, which has served as an alms house since the 17th century, although the current building was constructed between 1832-1834. It’s a beautiful looking place and one that I’ve admired whenever I drive past (usually on trips to Mablethorpe) but this is the first time I’ve taken the opportunity to photograph it.
The next picture is some grand looking house peeking up above a wall across the road from the hospital.
Then some new houses under construction…
A big tree that looked nice in the sunshine.
Some older residential properties.
And finally, another attractive old building that now houses a barbershop and a beauty parlour.
Canon Sure Shot Z135 & Kodak Gold. Lab developed. Home scanned and converted with Negative Lab Pro.
I’ve been finding it a bit of a struggle to come up with things to write on the blog recently, resorting more frequently to posting images only with no contextual dialogue. As I’ve now been posting for over 2,000 consecutive days, I’m loathe to break that streak (although what it would matter if I did, I do not know. The sky would hardly come crashing down…), but something will have to give, at least for a while.
So I’ve given myself permission to post nothing apart from images for a while, so I can hopefully recharge my batteries a little. I might still have things to say here and there, and this method of posting might actually free myself to write a few more longer posts without the daily pressure, but we’ll see. For now though, I will have a week or two of image-only posts. I’m hardly short of pictures to share – I’ve not even started on the shots I made during a trip to Dubrovnik at the end of May, from which I came back with almost five rolls of 35mm film, and I’ve shot several other rolls since then too (three rolls have been posted off for development today even)!
I will hopefully be back posting my usual nonsense after this summer break. Speak to you then!
Here’s a lone tree to keep you company in the meantime…
I thought I’d go back to posting film shots again today – although I may drop in the occasional digital picture now and then as I still have loads of decent shots taken with my GRIII on my recent holiday. I have another “Walk With a Camera” post coming soon – perhaps this weekend – as well.
Despite the title of the post, this tree has only the most tenuous connection with brides or weddings. It stands, however, behind a cafe where we got a sandwich after my wife had chosen the dress she will be wearing at out eldest son’s wedding later this summer. Maybe the post should have been titled “Back of the cafe tree” as that would be more geographically apt – the formal wear shop where my wife got her dress was further down the road.
Despite my hopes and promises of doing one of these posts each month, I seem to have failed miserably when it comes to doing so – the last post in this (very occasional!) series was back in November 2022.
I did shoot another roll of expired film last summer but I was unhappy with the results and ended up converting the pictures to black and white. While they looks pretty nice after the conversion, these posts are aimed to be about keeping to the original results from the film used with a minimum of post processing. Converting to monochrome was a step too far.
No such worries with the next roll though, some 120 format Kodak Portra 400NC that expired in 2007. 2007 doesn’t feel like that long ago but it was prior to the global financial crisis and is fast approaching twenty years ago!
Portra 400NC was discontinued by Kodak in 2010, when the current range of Porta films (160, 400, and 800) was introduced. Kodaks description of 400NC was: “Offers fine grain, low contrast, and colors and skin tones that look real and natural in a variety of lighting situations.” There is a brochure online on Kodak’s website which covers the full rang of (as was) Portra films from this period. There’s a strong hint that it was aiming for the wedding photography market…
I don’t photograph weddings and, even if I did, there’s no way I’d risk a seventeen year old expired roll of unknown provenance on such a once-in-a-lifetime event. For the sort of subjects I normally photograph however, I was willing to take the risk.
Despite the limited number of shots, I decided to shoot it with my Fujica GW690 6×9 medium format camera, giving me just eight potential pictures from the roll. The first outing was to my favourite seaside haunt of Mablethorpe. Normally when I visit Mablethorpe I will wander around all day making photographs. However, this year, I took my dad along for a day out, so knew from the outset that I wouldn’t be shooting as much. In the even I only used three frames on this outing, and one of those was a misfire when the camera was in my bag! I’ve since started to avoid winding the film in the GW690 after taking a shot to prevent this expensive mistake from reoccurring. Unfortunately, the Mk I GW690 that I own doesn’t have the shutter button lock that the later models do.
So the first two shots from the roll were of beach chalets / huts that stand along the beach promenade. The weather on the day was bright, but a layer of thin high-level cloud, robbed the light of contrast. Nevertheless, for outdated film the results were pretty good.
The second batch of shots – the remaining five on the roll – were shot one misty morning at Rother Valley Country Park. While I find the park a little uninspiring due to over-familiarity, cold misty morning usually provide some nice pictures, and this occasion bore that out.
The first shot is a little dull perhaps, but the light was nice. It’s just a suburban street I walked on my way to the park. You can just make out the mist hanging over where the lake is in the middle of the shot though. There’s a line of pylons that run between the houses and the park. The towers are out of frame, but the powerlines themselves can be seen.
The next shot is one of my favourites from last year, a beautifully autumnal scene of a small maple tree, it’s leaves turning but not yet fallen, nicely separated from the background by the mist. I’m not sure if the colours are true to life, but they look gorgeous, so I’ll take that as a win.
The mist was already burning off under the gaze of the morning sunshine when I took the next picture. A simple landscape scene of the lake with the boating centre on the far bank. There’s still enough mist left to provide some pleasant atmosphere to the photo though.
I took another photo very similar to the one above which had a couple of swans in the frame, but the one above is the best, I think.
The last shot is another lone tree, but this time I shot directly into the light. It’s not as good as the other tree picture, but I do like the way the tufts of dew and cobweb covered grass are illuminated at the bottom of the frame. The lens of the GW690 shows no signs of flare, even in this challenging scene.
So, apart from a wasted shot, this was another expired film success. When I shoot old colour film I’m not really expecting accurate colours, just pleasing ones, and this delivered on that.
Overall outcome: Success!
Expiriment #5 coming soon (Yeah, I know…)…
Fujica GW690, Kodak Portra 400NC (expired 2007). Shot at 160asa and lab developed for box speed.Home scanned and converted with Negative Lab Pro.
I’ve been struggling to find things to write the past week or so. Or, in some cases, I’ve had something to write, but not the time to do so. Either way, a lot of my posts of late have been pretty short. This has happened before (and my posts are rarely particularly verbose anyway), so I expect the situation will self-correct at some point. I guess it’s just a side-effect of daily posting.
Anyway, today is not really any different, so here’s a picture of a tree for no reason at all. 🙂
Down on Woodhouse Washlands lives this fallen willow tree. It’s trunk is broken and splintered so that much of it lies almost parallel to the ground. But the tree is a survivor and its limbs rise finger like from its fallen trunk.
These were the first three shots from my replacement replacement Yashica Mat 124G – the one that replaced the one with the shutter problem. So far, everything seems to be working as expected with this one and the test roll I shot has delivered a bunch of pictures I like, including these.
A few weeks back I decided to go for a walk on the Trans Pennine Trail. I’ve walked the stretch close to where I live before, reaching as far as Renishaw a few miles to the south, but I’ve never followed it any further than that.
So, on the day in question, I decided that I would see what was down there, walking the stretch between Renishaw and Staveley and then following the Cuckoo Way on the return journey.
Looking east from the Trans-Pennine Trail towards the village of Mastin Moor. The Cuckoo Way meanders its way north over near where those pylons stand.
The Trans-Pennine Trail follows the path of an old railway along this stretch of it’s route and is relatively straight as a result. It’s also flat and doesn’t tend to get muddy at all. The Cuckoo Way, on the other hand, follows the route of the Chesterfield Canal and can be hiked all the way from Chesterfield to the River Trent – about forty five miles away as the route takes you.
Looking west from the Cuckoo Way. The Trans Pennine Way is where the row of trees is on the horizon. The houses are on the outskirts of Staveley.
The Cuckoo Way is easy to walk in many places, particularly sections where the canal still exists, but this stretch just winds through fields, sometimes with little sign of where the waterway once flowed. This particular stretch was quite muddy. Not wet sloppy mud, but the thick stuff like you find on a playing field after a game of football has been played when the ground isn’t dry. It quickly clogged up the soles of my hiking boots with it’s thick clay-like weight and took quite some time to wash off when I got back home.
Heading back north and following the former route of the canal. Teh Cuckoo Way is just off-camera to the right.
Rother Valley Country Park lies within walking distance of my home. It can be quite photogenic but familiarity has bred, if not contempt, then a certain boredom towards it’s possibilities. Like most man made lakes and reservoirs (the lake used to be an open cast coal mine) there’s a certain artificial feel to the place. I guess that over time this will lessen and the place will feel more an more part of a natural landscape (although it’s now been over forty years since the park first opened).
Despite my lack of inspiration, it’s still a great place to go if the conditions are good, especially mist or ice, as it gives it a distinct atmosphere and look that isn’t present at other times.
The two shots published here were taken on a frosty morning in late November last year just as the sun was rising, and I stood stepping between feet to keep warm while I waited for the sun to rise and start to cast light on the scenery. It was worth my time though, I think.
The second shot has been cropped. The top of the frame featured the lines of the cable-powered waterski circuit that occupies this end of the lake.
Canon Sure Shot Z135 & Kodak Gold. Lab developed. Home scanned and converted using Negative Lab Pro.
Steel City Snapper photography 