Digital · Photography

I’ve moved sites (well, sorta, sorta not…)

Yesterday I wrote about how I was upgrading my site and that I’d migrated all the posts, media, comments, and subscribers. That all went well, except for one thing…

My plan had been to upgrade my existing free WordPress site to the paid-for Personal tier, mostly to remove ads that visitors see, and also to take advantage of some of the additional features a paid site provides.

What I actually somehow managed to do was create a whole new site! While almost everything moved across ok, I soon realised that all my stats etc. were gone and I effectively had a brand new site, albeit fully populated with thousands of posts. I debated whether to just leave it like that – stats are not my primary reason for the site, far from it, and they’re not exactly earth-shattering in any case. But it niggled me somewhat that, even though all my previous content was there, it somehow felt like I was starting again at day one.

So, to cut a long story short, I cancelled the purchase of the new Personal site, re-directed all my subscribers back to the original free site, got a refund, and then did the upgrade properly. Now my pre-existing free site is correctly migrated onto the Personal plan level and all my stats are exactly as they should be. Next time I do something like this I’ll take more time to RTFM before clicking the button. 🙂

Hopefully, as a benefit, you should now be able to read this, plus any new and previous posts free from the scourge of adverts, and I can have a poke around the extra stuff I’m paying for to see if any of it is of use.

Following yesterday’s sunset, it feel’s appropriate to go with a sunrise for the launch of my new (although really mostly just the same old) blog.

Kit Kat stones

Nikon D3200 & Nikkor 18-140mm f/3.5-5.6 DX.

Taken on 2 November 2018

35mm · Film photography · Photography

Golden willow and white swan

Another photo from my “Whoah! Where the heck did those colours come from?!?!” series. I know I’ve mentioned it on more than one occasion already but, just, wow. The shots with this willow lit by the rising sun have got beautiful complementary tones – that classic, and perhaps over-used, orange and teal thing. I’ve not tinkered with the colours at all in these shots – it’s how they popped into being after converting the negatives with Grain2Pixel. Sometimes I can have to work at things with certain film stocks and Grain2Pixel, but these just landed perfectly.

I will confess to a bit of Photoshoppery to remove a trio of distracting ducks (or maybe they were gulls) bobbing about in the water behind the swan. I’m usually relucant to edit my photos in this way (apart from getting rid of bits of debris), but in this case I think it made the picture a lot better.

Swan and willow

Fuji DL-270 Zoom Super & Kodak Colorplus. Grain2Pixel conversion.

Taken on 26 November 2020

35mm · Film photography · Photography

Once more through the willow and into the sun

This is almost the same composition as the one I published last week here, albeit that being a medium format black and white image made with the Bronica. Again, the colours on this Colorplus shot are, I think, beautiful. While it might not have the detail of the medium format version, and I’m slightly miffed that I cut off the tree on the left (I should have kept all of it in frame, or omitted it altogether, but I think I was too busy concentrating on getting the sun behind the trunk of the willow to have noticed at the time), I think that this version is more impactful. The colour film has captured the lovely subtle tones in the clouds and the golden light on the grasses of the lake side.

This time in colour

Fuji DL-270 Zoom Super & Kodak Colorplus. Grain2Pixel conversion.

Taken on 26 November 2020

Film photography · Medium Format · Photography

Early morning shopping

I got up early on the day that I made this photograph as I was hoping that there would be some mist. Across the road that runs in front of this Aldi supermarket (to the right of this scene) there is a meadow. The near half consists of an area where livestock graze sometimes – I’ve seen both cows and sheep in there when I’ve passed by. The fields border Renishaw golf course, and the River Rother forms a second boundary line, beyond which is further farm land where the ground begins to rise out of the valley.

When there is low-lying mist here at sunrise, it can look very beautiful (even if there is a line of pylons in the distance). Alas, on this morning, the hoped-for mist had let me down. Not wanting to return home completely empty-handed, I decided to make a picture of the Aldi. It’s not the most glamourous of scenes, but it has it’s own commercial charm. Plus, the pastel shades in the pre-sunrise sky behind the store were a treat.

I took three shots of the scene, which is unusual for me. I rarely bracket my exposures, preferring to try and maximise the number of unique images I can get from a roll of film. However, given the fussy nature of Velvia 50 when it comes to exposure and my slightly limiting (for this scene) incident meter, I decided to use a few frames to ensure a good chance of a decent result. It was a good decision as the first two images were very underexposed. This third one could have done with a bit more light in the foreground too, but I think it just about gets by with what it has.

Early morning shopping

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Fujichrome Velvia 50.

Taken on 22 October 2020

35mm · Film photography · Photography

Suburban sunrise

A couple of weeks back I awoke to a beautiful misty morning. Alas I was at work that day – plus I had to get the kids sorted for school – so I thought it would be another one of those occasions where I feel robbed of the opportunity to take advantage of the conditions. Thankfully however, the mist persisted past the time the kids left the house and left me a short window of opportunity to get out and make some photographs.

I managed to get to the local country park, which is just a short distance from home (you’ll see some of those pictures in the coming days, hopefully), and today’s picture is of some houses sat beneath the rising sun which I passed on my way.

FILM - Suburban sunrise

Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Ilford HP5+.

Taken on 22 January 2020