35mm · Film photography · Photography

Three’s a crowd

I have to say that I’m very happy to have my Olympus OM-1 back from its repair. I’d not used it for a while and it had developed a shutter issue. The repair cost me around the same as it would have done to buy a new OM-1 body from a reputable dealer, but this is my OM-1, and it’s worth the money to keep it in good working order. It’s probably my favourite 35mm camera, and while I’m still not too keen on the shutter speed selector being on the lens mount (which I find a bit fiddly), it’s otherwise a very satisfying piece of kit to use. It also looks gorgeous – a proper camera if ever there was!

I loaded it with a roll of HP5+ and shot half in Sheffield, and the other half in London (while travelling between the railway station and the meeting venue). This is one of the Sheffield photos.

FILM - Two's company

Olympus OM-1, Zuiko 28mm f/3.5 & Ilford HP5+.

Taken on 6 October 2019

35mm · Film photography · Photography

F. G. Thomas

My photo today is a street shot, but the intent was mostly to capture F. G. Thomas, which I noticed has now closed it’s retail premises.

The shop had been there as long as I remember (it had actually opened there way back in 1925) so it came as a bit of a shock to see the empty window and for-lease sign. It appears that, as the lease was up for renewal on the premises, the current owners have decided to move their business online as their footfall in the shop had been gradually declining.

I’ve racked my mind, but I can’t honestly remember ever having gone in the shop, much less bought anything, which makes me feel oddly guilty. On the one occasion I bought a fountain pen (they were a requirement for some unknown reason when I started comprehensive school in the 80s), I think it was from WHSmith, just around the corner on Fargate.

I’m glad to have captured the signage of the shop, even if the windows are now empty – the little man with his “is it a globe, or is it a hairnet?” hairstyle was a nice thing to see.

FILM - No more pens

Olympus OM-1, Zuiko 28mm f/3.5 & Ilford HP5+.

Taken on 6 October 2019

Film photography · Medium Format · Photography

A walk along the Sheffield and Tinsley canal

When my wife decided she wanted to visit Meadowhall (the big shopping mall in Sheffield) and asked if I wanted to come, I agreed. My real motive, however,  was to let her look in the shops while I would explore the section of the Sheffield and Tinsley canal which passes close to the mall.

The canal itself is only a few miles long in its entirety, terminating at the wharf in Sheffield city centre. I’ve walked along the canal on a number of occasions, but never here at the oposite end to the wharf (close to where it enters the navigable section of the River Don).

The canal is very much in the industrial vein, traversing the heart of Sheffield’s east end – once an area dominated by factories and steelworks, but not so much these days – with little in the way of bucolic scenes (although there are a few relatively tranquil sections).

As the day was grim, overcast, and prone to rain, I decided to take the Holga and some expired film (images 1-5 on Tri-X [the final roll of the batch with the backing paper bleeding through], 6-8 on Tmax 400).

This first photgraph shows the view looking north-east just after the point I joined the towpath. The structure in the scene is the Tinsley Viaduct, where the M1 motorway crosses the Don Valley.

FILM - Tinsley viaduct

The section of the canal at Tinsley has numerous locks. Although the route of the canal is pretty flat, it’s interesting to note the actual drop in height that necessitates lowering the canal to the point where it joins the river, a fall of approximately 50 feet. The River Don is only around 15 feet lower than the canal where it passes close to the wharf back in the city centre.

FILM - Lock

A close-up of one of the lock gates:

FILM - Lock gate

I think I might re-visit this section of the canal if I can get there in misty conditions, maybe as the sun begins to break through. It could make for a nice photo.

FILM -Tinsley canal

The odd bit of more traditional beauty occasionally shows itself amongst the industrial surroundings.

FILM - At the canalside

This lock and footbridge is directly below the marina area.

FILM - Lock, bridge and pylon

I’m not sure if these are lock-keeper’s cottages (or if the word “cottage” would really apply here :)), but they are right on the marina area.

FILM - Lock-keeper's place

And this next picture is of the main marina area. Most canals in the UK are given over to leisure activities nowaday, whether that be pleasure-boating, canal-boat holidays, angling, or just walks along the towpaths. A lot of British canals, when they fell into disuse as the railways took over transportation of heavy goods, went unmaintained and gradually became silted up. Many of these have now been restored, or are in the process of restoration for recreational purposes.

It’s interesting to imaging how this marina might have looked in its height of commercial use back in the 19th century, with barges laden with industrial goods and the atmosphere thick with the smog of coal-driven, steam-powered heavy industry.

FILM - Marina

Holga 120N and Kodak Tri-X / Tmax 400 (expired).

Taken on 22 September 2019

35mm · Film photography · Photography

Rare and Racy no more

Rare and Racy was a second-hand book and vinyl records shop that traded on Devonshire Street in Sheffield. It had been in business for as long as I could remember (in fact it had been trading since long before I was old enough to visit – since 1969 in fact). It wasn’t a place I frequented all that often, but I went in on a number of occasions and it was a real treasure-trove of stuff – filled with interesting shelf-lined nooks and crannies and every inch of free wall-space covered in photographs, artworks and other ephemera. The outside building was also decorated by a range of interesting street-art pieces by local artist Phlegm.

Sadly, the decision was taken by the local council to re-develop the row of building in which Rare and Racy (and several other quirky independent shops) were located and, despite a large public outcry and a petition signed by 20 thousand people, it ceased trading a year or two back. So far there is little sign of any re-development work having begun, and it’s a sad sight to behold now. Given the homogenisation of the high street in Sheffield (and across the country), with ubiquitous and interchangeable chain-stores taking up ever more space (plus the invevitable decline in footfall as a result of online shopping), it’s a crying shame that independent retailers that can bring a sense of interest and diversity to our city centres are not given the opportunity to thrive.

I remember a time when visiting another town or city would be a bit of an adventure with a whole array of shops, bars and restaurants that were completely different to what you had at home. But it’s now increasingly the case that most places are just the same set of retailers arranged in a different street layout.

So, here’s a photo of Rare and Racy as it looked last weekend, and if you want a bit of a virtual look inside as it was a few years ago, here’s a video.

As an aside, I’ve only noticed today just how tall the girl at the left of the image is! Either that, or the couple at the right are small!

FILM - More rare and less racy than before

Olympus 35 RC & Ilford HP5+.

Taken on 21 July 2019

35mm · Film photography · Photography

Concealed weapon

If you look at today’s photo carefully you will see that the kindly (or scary, depending on your disposition) looking plastic butcher is actually holding something in his right hand. It’s mostly concealed by the sheet listing the prices for some of the sandwiches on offer, but is, in fact, a meat cleaver.

It’s an innocent enough thing for a butcher (artificial or otherwise) to be carrying – it is, after all – a tool of the trade. So it’s probably just me, and a diet of horror / slasher movies during the 1980s, that provokes all manner of dark imaginings whenever I see it. The cleaver doesn’t have blood stains, at least it didn’t last time I passed when it was visible, but who knows why he’s carefully hiding it from view? Best not get too close…

Boo!

FILM - Plastic butchers with concealed cleavers

Olympus 35 RC & Ilford HP5+.

Taken on 21 July 2019

Film photography · Medium Format · Photography

Kelham Island

I’ve been out to the cinema this evening (to see Spiderman: Far From Home) and so don’t have much time to write a post unfortunately.

This is a shot I took last weekend of the Kelham Island museum in Sheffield. I posted a similar shot from a slightly different vantage point about eighteen months ago.

FILM - Kelham Island

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Fujifilm Pro 400H.

Taken on 7 July 2019

35mm · Film photography · Photography

Disposable fun

A forum I frequent has been running a disposable camera challenge where each participant can enter up to three photos taken with a single-use camera. I didn’t have a disposable laying around, so I bought myself an Ilford XP2 model especially to take part ( I had planned on getting the HP5+ variant, but the shop didn’t have them).

I’ve used it on three occasions – in Sheffield on the day I bought it; in London when visiting for a work meeting; and in Sheffield again this weekend just passed.

The camera itself is (or was – it’s been destroyed presumably when the film was developed) a very lightweight piece of kit with a snazzy red and white striped design. It feels like it would smash into a million pieces if dropped on a hard surface. Feature-wise, it has a viewfinder, lens (30mm f/9), flash activation button, shutter button, and a film-advance wheel. And that’s your lot.

In operation there’s not much to do other than frame the shot through the basic optical viewfinder, click the shutter, and wind on to the next frame. The frame counter is reversed so you can see how many shots remain. The flash is advisable for dim conditions – I took several frames in what appeared to be decent light in St. Pancras railway station and they’re all pretty much useless.

In terms of the results produced, they’re pretty much as you’d expect from a disposable camera with a plastic lens – soft at the edges, but with acceptable sharpness in the centre of the images. Of the 28 frames I eked out of the roll I probably have half-a-dozen that I like, several more that are ok, but nothing to write home about, and the rest are underexposed or just badly composed – I think I had a bit of a tendency to ‘snap’ images with this camera rather than taking my time to find better pictures with it. That said, I’m really happy with the first two of the five shots I’ve posted here today, and the others aren’t bad either.

I can’t honestly say I’ll bother with a disposable camera again – even if the competition is run anew in future – especially given the other good cameras I have, but it was a good experience nonetheless.

So, here are five of the photos I took with the camera.

This one is my fave of the bunch. It’s not a sharp as it might have been had I used a different camera / lens, but I’m really happy with the result. This was taken at the Barbican Centre in London

FILM - There's no such word as Barbican't

Another one I really like. It’s mostly negative space, but I think it works well. This is Blast Lane near Sheffield city centre.

FILM - Blast Lane subframe

This golden taxi sits atop the cab firm’s offices on Abbeydale Road in Sheffield.

FILM - Taxi

The lens on the camera had a tendency to flare in certain conditions, here rendering the figure with a ghost-like haze.

FILM - Barbican ghost

And finally, another shot from Blast Lane where a dmaged bicycle lay (I presume) abandoned next to the tunnel.

FILM - Buckled

Anyone else gone the lo-fi disposable route?

Ilford XP2 single use camera.

Taken in April and June 2019

35mm · Film photography · Photography

Trio

While walking through the old General Cemetery last weekend I could hear loud music emanating from somewhere. It turned out to be a band playing by the columns of the Samuel Worth chapel.

The cemetery opened in 1836 and was closed to burials in the 1980s. It became heavily overgrown but has been undergoing restoration to certain key buildings and other areas (including the chapel, where this photo was taken, which is now used as a venue for events). The overgrown parts of the cemetery are an important habitat for various local species, and also make for some wonderful photographs.

FILM - Trio

Canon Sure Shot Z135 & Ilford HP5+.

Taken on 27 April 2019