35mm · Film photography · Photography

Bennett’s fishing tackle shop

A number of decades ago, back when I was young, I was interested in fishing. As a teenager still at school and blessed with only limited funds, most of the fishing tackle I owned was either passed down from my dad (including a dated, even at the time, cane fishing rod that snapped in half while making a cast one day, much to the amusement of my friends!), or acquired as presents at birthday or Christmas time.

I did have enough money to buy the other necessities of the pastime though: line; floats; lead shot (long since banned!); hooks; perhaps the occasional bigger-ticket item like a keep-net or something; and, of course, bait, usually in the form of a tub of wriggling maggots, often in a variety of dyed shades to make them more attractive to the fish (the ones at all the places I went must have been colour-blind though…).

At the time, years before online shopping and even the World Wide Web itself would be a thing, there were a considerable number of fishing tackle shops in the city. Some were dedicated to the pastime, others were a sideline, such as the barber’s that I visited as a child where you could have your hair cut and then buy a pike lure or something (while pretending not to look at the girlie mags that were amongst the fishing periodicals on a small table between the seats where you sat and waited your turn).

The largest tackle shop in Sheffield (and the country, so it was claimed) was Bennetts. The shop had been opened back in the 1950s by Harry and Peter Bennet, renowned match anglers and railwaymen who used to organise angling tournaments for thousands of local fishermen.

In later years the store moved to larger premises on Stanley Street just off The Wicker on the edge of the city centre, and it was here that I would drool longingly over the extensive range of tackle that I had no possibility of acquiring, before buying a considerably more affordable packet of hooks or a swim-feeder or something along those lines.

As my teens came to pass so, mostly, did my interest in angling, and I probably didn’t set foot in Bennett’s (or any other tackle shop) after that, although my dad continued to fish on occasional trips with his friends that had been organised by the pubs and clubs he frequents, so I would get the odd fishing story every now and then (usually about how he’d caught nothing!),

In 2010 Bennet’s closed for good, partly as a result of the 2008 financial crash and subsequent recession, but also as result of the extensive flooding that hit parts of Sheffield in 2007, submerging the store in feet of water.

The main entrance to the shop on Stanley Street has been repurposed now, but the smaller entrance on The Wicker remains, gradually fading away and falling into disrepair.

I wish I had a photo of the shop in it’s heyday, but I’m still glad for the one presented below. It still serves as a memory and I suspect it won’t be there for ever.

Bennetts

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Old signs and empty shops

I walked past this abandoned shop while shooting the roll of expired, but satisfyingly good, Velvia 100 that I bought from eBay. The “Properties Cleared” sign was what caught my eye, the paint peeling away from the wood beneath with lovely texture.

Properties cleared

Then I noticed the shop next door, with posters pasted on the boarded up windows, so walked across the road to get a wider view of the whole scene.

It’s probably not everyone’s cup of tea, but I quite like scenes like this and find them interesting to look at. Plus, with the rate of re-development going on in this part of town it will probably not be long before the scene changes again.

I’m very pleased with the sharp rendering of this 50m lens. I already owned the F.Zuiko version, which is very nice anyay, but got the chance to pick up the Auto-S model in the 5xxxxxx seriel number range and the “made in Japan” marking, which is supposed to be the sharpest variant of the OM 50mm lens line up. For a 35mm film shot, the full size scan shows some very nice detail.

On Harvest Lane

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Tired out by Tenet

After a visit to the cinema today – the first in six months(!) – I’m not going to write much again today, just plonk down a few more of the Velvia 100 photos.

I saw Tenet, in case you’re interested. I think I should have taken some sort of pre-movie training course before going in. It’s going to take some time to get straight in my head exactly what was going on!

Black and orange

Summer berries

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

An abandoned church

This is the entrance to the former Christ Church Central building in Sheffield city centre. The building is no longer used by the church – it appears they’ve moved just across the road to what looks like a bigger location.

I’ve never been in either building but used to work nearby when I was younger and also found it interesting how the church resided in a low-rise building mostly indistinguishable from the other small industrial units that surrounded it.

Now it looks like a group of weeds are awaiting the doors to be opened.

Weeds waiting

Canon Sure Shot Supreme & Agfa APX100. Ilfotec DD-X 1+4 10.5 mins @ 20°.

Taken on 23 July 2020

35mm · Film photography · Photography

Dot Cotton caged

While wandering around Sheffield’s Kelham Island area recently I came across this piece of street art that I thought was deserving of a photograph. For those readers outside the UK, the person depicted is Dot Cotton, a long serving character of the British soap opera Eastenders. June Brown, the actor who plays the role, joined the soap back in 1985. She had a hiatus in the 90s from 1993, but returned again in 1997 where she played Dot up until January this year.

I don’t actually like Eastenders, and I don’t think I’ve ever watched a full episode (although my wife used to watch it and I picked up many of the storylines of the time via osmosis). Dot Cotton is, however, an archetypal British screen character and I really liked this small homage to her on this namesake street.

Dot Cotton caged

Canon Sure Shot Telemax & Kodak Colorplus.

Taken on 28 June 2020

Film photography · Medium Format · Photography

Wellies

On the day I started my street-portraits project, I parked my car on a street close to the city centre. My intent had been to use all twelve frames of the Portra 400 for the photographs of strangers I planned to make. However the first thing I saw was this corner cafe and I made a photo of it before I even came close to asking a person for their picture.

I’m wondering if a “corner shops” project might also be fun to do too. It has benefits of not being as stressful to pursue as asking people for their portraits, plus it has that social history angle of recording structures at a moment in time. I always enjoy looking at photographs of how things used to be and this will be my own small addition to the genre.

Obviously, most photographs I make that have recogniseable locations or contemporary objects in the frame do this to some extent anyway, but most of those are made randomly as a result of my particular eye for subject, not part of a more focussed project.

If I do pursue this, it will be concurrent with the street-portraits project, which I fully intend to complete.

Anyway, here’s the sort of thing I would envisage as part of the project…

Wellies

Yashica Mat 124G & Kodak Portra 400.

Taken on 11 July 2020

35mm · Film photography · Photography

The Hub

A couple of pictures of The Hub, home of Sheffield University’s Student’s Union. This was a museum –  the National Centre for Popular Music – when it was originally opened in 1999. It closed a little over a year later due to lack of visitors (including myself).

Passing The Hub

Hub lids

Olympus OM-2n, F.Zuiko 50mm f/1.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10 mins @ 20°.

Taken on 21 June 2020