35mm · Film photography · Photography

Ferris wheel

I’ll sign off from this run of expired Fuji Sensia photographs with another funfair image with the lovely blue-sky tones contasting with the warm browns of the ferris wheel on Bridlington seafront.

There are more seaside images yet to come, but with a change to black-and-white.

A boy named Ferris
Once took a day out from school
And killed his friend’s car

Big Wheel

Canon Sure Shot Supreme & Fujichrome Sensia 100 (expired 2003).

Taken on 27 May 2021

35mm · Film photography · Photography

Yellow telescope

The clunky coin-operated telescope – a staple of the seaside resort in the UK (and probably all over the world – there were loads of them dotted around when I visited New York for instance, although were fancy binocular variants). They always seem awkward to use. Big heavy lumps of metal and glass on stiff supports with a limited range of movement. The optics are often full of debris, giving a nostalgic, cataract-ridden view of whatever you manage to point them towards. They probably promise more than they tend to deliver, but I’m happy they’re there, especially when they look beautiful against the blue summer sky as this one does.

Say what can you see?
Out on the beach and the seas
And up in the skies

Yellowscope

Canon Sure Shot Supreme & Fujichrome Sensia 100 (expired 2003).

Taken on 27 May 2021

35mm · Film photography · Photography

Fun Park

The sign for the Fun Park stands out vividly against the lapis-blue of the summer sky. At least when shot with this roll of expired Fuji Sensia. I don’t think it was quite so vivid in reality, but who cares about that?

In summertime skies
A bright glory of colour
Welcomes visitors

Fun Park

Canon Sure Shot Supreme & Fujichrome Sensia 100 (expired 2003).

Taken on 27 May 2021

35mm · Film photography · Photography

Seaside arcades

I tend to find seaside arcades a bit of a letdown nowadays. They mostly seem to contain kiddie rides, prize grab games, slot machines, and coin cascades. These things all have their charm, and when my kids were younger, would be a genuine source of amusement (and a drain on my wallet), but something has been missing for a long time now… Videogames.

It may be a coincidence of my age, but the arcades are largely synonymous with, well, arcade games. Even when I was quite small I remember early games like Pong, Boot Hill, Sea Wolf and Night Driver among others. Then I was around for the real emergence of games: Space Invaders, Asteroids, and a little later, Pac-Man, Donkey Kong, Defender and a whole slew of others. It was heaven.

The arcades would ring with the electonic sounds of the games, flashing attract sequences, and simple 8-bit tunes bleeping, blooping, and crashing as they drew players into this world of light and sound. A single £1 note would, when changed into coins, provide ten games on the machines. Sometimes this would be gone in a fragment of time if you chose difficult games that you were ill-prepared for, but if you knew your stuff you could play for a long time on such meagre funds.

As the years progressed games advanced in graphical and sonic fidelity. Gameplay became more complex. Multi-player experiences appeared (Gauntlet anyone?), and the cabinets gained features. But as the arcades advanced, so did home gaming systems. For a while they trailed their arcade big-brothers, but in the 90s the advent of the Sega Saturn and Sony Playstation finally drew level. Now you could truly have that arcade experience at home (well, except you missed tha cacophony of sound, the atmosphere, the groups of fellow games and all the other joys of being in an arcade).

Sadly, this meant the gradual decline of the video arcade. New machines became ever more specialised with light guns, custom cabinets that the player could sit in to fully experience the action, and all manner of other bells and whistles that were difficult, if not impossible, to recreate in the home. And the pricper play increased. Where once that £1 would have given you ten credits, not you got a single game for the same price, often with no guarantee that it would last any longer. Slowly, the arcade floorspace that had once been given over to rows of individual game cabinets was reclaimed by other attractions.

The heritage of the video arcade still remains, and there are nods to the Space Invaders and Pac-Man games of old, with large attractions that, upon gaining a score, spew tickets that can be exchanged fro prizes and novelties. It’s not the same as getting your name on the top of the score table though.

Please insert a coin
To defeat the invaders
You puny Earthling

Funland
Taylor Made Fun

Canon Sure Shot Supreme & Fujichrome Sensia 100 (expired 2003).

Taken on 27 May 2021

35mm · Film photography · Photography

Boatyard

This boatyard in the British seaside town of Bridlington is at the top end on the car-park where we left our car for the day. It was a little difficult to get an angle I was happy with without some of the parked cars encroaching on the scene. I’m not unhappy with this one though and think the three men make the scene work nicely. Once again, lovely colours from expired slide-film too.

Today I’ve been out trying out a new digital camera. As this blog is about my film photography I doubt I’ll post any results from it here, but I might dust off my sister blog (which I haven’t updated in years) for the occasional post. The camera is a Ricoh GR III – a high-end compact camera with a fixed 28mm f/2.8 lens and an APS-C sensor. The camera is tiny (comparable to my Olympus XA3) and so will be easy to take with me on trips, even if I have a film camera with me too. It’ll probably be used mostly for (attempts at!) street photography and other urban architecture type stuff, but who knows? It won’t mark any reduction in my film output, I don’t think.

Blue boats and blue skies
Out of their environment
Yearning for the seas

Boatyard

Canon Sure Shot Supreme & Fujichrome Sensia 100 (expired 2003).

Taken on 27 May 2021

35mm · Film photography · Photography

Anyone for ice-cream?

When I spotted the couple in the distance when I framed this shot, I knew they would be out of focus because I’d set a wide aperture to give the giant ice-cream cone some seperation from the rest of the scene, but liked how they would fill a gap in the frame.

What I didn’t really notice – partly due to making sure I had focus on the ice-cream, but also because I had to be quick as I was in a queue and about to be served my own, normal-sized ice-cream – was that the man’s top was the same shade of pink as the “strawberry” swirl in the foreground cone, and his female companion’s top a similar colour to the blue flavour (whatever that might be). A nice little piece of synchronicity. 🙂

Anyone for ice cream?

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fuji Superia 100 (expired 2008). Grain2Pixel conversion.

Taken on 11 September 2020

35mm · Film photography · Photography

Man’s best friend(s)

As mentioned yesterday, I spotted this chap sitting outside his chalet with three friends, so I asked if I could make a couple of pictures. The dogs didn’t seem too keen, snarling at me when I pointed the camera in their direction, but I got the shots.

Beach hut relaxation
Man's best friends

Olympus OM-2n, Zuiko AUTO-T 50mm f/1.8 & Ilford Delta 400. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 11 September 2020

35mm · Film photography · Photography

Further beach chalets

Another set of beach-chalet photos today, this time in black and white. Cery few of these were occupied on the day of my visit, which is not surprising given we are now into autumn (it was mid-september when these shots were taken). There were a few people still making use of them though, including a chap sat enjoying the sea air with three of his dogs – some picture of them to come shortly.

Chalets

I have vague memories of us hiring one of the chalets (one of the ones with windows) when I was a young boy – possibly my parents and my grandparents were present on that occasion, although the recollection is vague.

Lucky number six

While the structures are pretty basic in design, they had power and water, so it was possible to make cups of tea and other refreshments, as well as being a useful shelter from the elements (whether hot sun or, this being the UK, pouring rain!) and somewhere to store the accutrements of a day at the beach without having to lug it around everywhere all day. They also had a set of curtains, so you had the luxury of being able to change out of wet, sandy swimming costumes and into dry, clean clothes without the risky maneouvering that would be required when attempting to do the same thing on the beach wrapped in just a towel!

They can look a little grim when photographed in monochrome in cloudy conditions, but when they’re all occupied by familys enjoying the warm sunshine in the height of the summer, they have a certain British charm. It always amazes me just how much chalets and beach huts can cost at some of the more up-market resorts around the country, where they can be priced at tens-of-thousands of pounds to buy outright!

Anchors away

Olympus OM-2n, G-Zuiko AUTO-W 28mm f/3.5 & Ilford Delta 400. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 11 September 2020