35mm · Film photography · Photography

Kinda random

I have to pick one of my sons up from college today, so I won’t have time to write the blog later (well, I will, but I’ll probably want to do other stuff instead :)). So today it’s a quick and somewhat random post with a picture of the back of the bowling green pavillion that featured in testerday’s post. It was the ripples on the water and the birds on the roof that caught my eye but it’s not much of a shot if I’m honest. Look at me, treating you all with such treasures! 😀

The truth is that I’ve still got most of this roll of film still to scan and am limited on shots to pick until I get on with that. The roll also seems to have some sort of marks on a lot of the frames. At first I thought they were drying marks, but they don’t really correspond to other drying marks I’ve seen. I’m now wondering if it’s something else – maybe I didn’t let the film defrost before loading it and caused condensation or something? Or perhaps it’s just an artefact of the film being almost twenty-years past it’s use-by date. Luckily I’ve been able to photoshop out the worst of it, including this photo.

Round the back

Olympus XA3 & Kodak Tri-X Pan (expired 2003 – shot at box speed and pushed a stop in development). Ilfotec DD-X 1+4 10mins @ 20°

Taken on 18 December 2021

35mm · Film photography · Photography

Mirror man

This is one of those photos that I have high hopes for when I first see the negative but which, on closer examination, is let down by some technical problem. In this case the man in the mirror is slightly out of focus. Now there’s a good reason for this – the photo wasn’t a posed portrait, it was a candid shot which involved me crouching down to get the correct angle on the mirror and then capturing someone’s refelction as they walked past. People would be in the mirror for a fraction of a second, so no time to nail the focus and I just went with what looked right in the brief moments that someone passed through the frame.

I still like the picture a lot, but wish I’d have nailed the focus better. The pose is bang on though and I don’t think I could have gotten anything better.

Man in a mirror
Seeing a reflection of
A photographer

Here comes the mirror man

Yashicamat 124G & Shaghai GP3. Lab developed in Xtol.

Taken on 4 September 2021

Film photography · Medium Format · Photography

Making the same picture

The photo posted here today is a composition I’ve shot on quite a few occasions. It’s one that just seems to work and always catches my eye. I’m not sure how many times the scene has featured on the blog (at least once before, here), but I know I have several different versions. This one is, I believe, the first time I’ve shot it on 6×9 though.

Again

Fujica GW690 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 4 July 2021

35mm · Film photography · Photography

Driven to abstraction

As I type this it’s after 11pm here. I normally write these blog posts much earlier but today got waylaid trying to successfully scan some Portra 160 negatives. I thought I had a good system in place for getting the colours how I wanted them, but somewhwere along the line that particular train has left the tracks, and my scans looked like crap.

My process has been to scan as a linear tiff file and then invert using the Grain2Pixel plugin in Photoshop but today, for some reason , it’s made the colours look horrible on the frames I’ve scanned so far. So, after messing around for a while, I’ve resorted to EpsonScan of all things. While I use this Epson software very successfully for my B&W medium format scans, I’ve never been too happy with the results for colour photos. Today, however, it seems to have made the best job so far.

I found this blog post by Colton Allen about scanning colour negatives with EpsonScan that has proven extremely useful and given me some pretty decent results. If I can figure out the issue with Grain2Pixel I’ll resume using that (and will use it on a roll of Colorplus I’ve yet to scan – but that’s 135 format and will be scanned with my Plustek, so a whole different ball game anyway), but for now I’ll use EpsonScan for this roll

I’ll post the Portra photos in an upcoming post, but today no colour faffing is required for this black-and-white abstract image of a birch tree reflected in a water.

Wibbly wobbly tree
Gelatinous in water
Shimmering beneath

Reflected birch

Olympus OM-2N, Zuiko Auto-S 50mm f/1.8 + orange filter & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10mins @ 20°.

Taken on 29 March 2021

35mm · Film photography · Photography

More skips. More reflections. Bonus pylon.

See, I told you I ‘ve made a number of shots at this location, so look forward to more exciting skip photos in the coming days! I’m sure you can hadly wait… 🙂

Crust of frozen snow
Atop the bins it slid off
And made my hands cold

Overwatch

Pentax P30T, TSMC Pentax 35mm f/3.5 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 27 December 2020

35mm · Film photography · Photography

Doggie by a window

I have a camera review planned for the blog sometime soon, I’d hoped to have written it before now but – even though I’m off work this week – I’ve not gotten around to it yet. The thing with having a week off is that I have a lot of stuff I’ve planned to do while I have the chance. Probably too much stuff.

While some of it I’ve achieved (including cleaning and shooting the camera I plan to review) , others – including some mundane, but desireable things like just watching some movies and reading some of my big pile of photobooks – have yet to be done. And I really want to do some of those mundane but relaxing things before work comes beckoning again. I might get chance to write the review tomorrow. Or I might not.

In the meantime, there might be a series of short posts while I figure out what I’m doing with my time. So, today, here’s a picture of a dog outside a cafe…

I see you

Minolta SRT 101b, Rokkor 50mm f/1.7 & Kodak Tri-X (expired circa 2000-ish). Ilfotec DD-X 1+4 8mins @ 20°

Taken on 31 August 2020

35mm · Film photography · Photography

Floating leaf

I obviously thought that this leaf floating on the still water at the edge of the lake was worth photographing, but I’m very pleased with the resulting picture. At the time I though about using a polariser to remove reflections and increase the visibility of the lake-bed, but I’m so glad I didn’t. The reflected clouds are what make the photograph for me.

FILM - Leaf

Nikon F80, Nikkor 28-80mm f/3.5-5.6 & Ilford HP5+.

Taken on 22 January 2020

Film photography · Medium Format · Photography

Crossing calm waters

This is the road bridge that crosses the River Derwent just above Calver Weir. It carries the A625 and I believe is called New Bridge, although I have no information byond that unfortunately. It makes for nice photographs whether viewed from up or downstream though – the nearby weir means that the water here is deep and slow flowing, producing lots of opportunities for reflections.

This shot is my entry for the 2020 film photography contest I’m taking part in – the theme for January is “Openings”.

FILM - Opening

Bronica ETRSi, Zenzanon 75mm f/2.8 & Ilford Pan F Plus.

Taken on 25 January 2020