35mm · Film photography · Photography

Chalets

These chalets sit along the promenade, just south of Mablethorpe town centre and behind Queen’s Park – which is where I stood to take this photo. It’s almost the same spot where I made the photo of the crazy golf course that I posted about a few days back, which is behind where I was stood when I took this shot.

I’ve got an older, digital photo of these chalets on my Flickr stream too – that one shot on my Nikon D3200 and 18-55mm kit lens back in September 2015.

I shot this whole roll of Portra 400 at 200asa and really like the way it’s handled the tones, with lovely cornflower blue skies while still keeping a good deal of pop in the primary colours.

FILM - One side water. One side park

Olympus 35 RC & Kodak Portra 400.

Taken on 13 September 2019

35mm · Film photography · Photography

Looking out to sea

Looking out to sea seems to be an enduring calling to many people when visiting the coast, certainly in the UK, but also, I suspect, around the globe. Every seaside resort I’ve ever visited has benches and shelters along the promenade, along harbour walls, and atop cliffs and promontories, for the purpose of providing somewhere to rest while looking at the ocean beyond. Coin-operated telescopes provide the means of a close-up inspection, should something interesting be present on the water. There are car-parks designed in a such a way as to provide access to the view without leaving the comfort of the vehicle (and in the UK, given our tendency to inclement weather, this is perhaps wise).

I remember as a child visiting the beach with my grandparents in the rain. We would just sit in the car, eat sandwiches, drink pop or hot drinks from a thermos-flask, and watch the tide come in or retreat. If the weather was favourable, we’d get to venture onto the sand with our granddad, while grandma remained in the car, often with the aim of building a sandcastle that we could then subsequently watch be destroyed by the incoming waves while we sat back in the car. The castle fallen, and night beginning to fall, we’d return to the caravan for cocoa and bed.

There’s definitely a draw to looking at the sea, even on a calm day. Something about being at the edge of the world and imagining what might lie beyond some distant horizon (usually Denmark in our case, given the east coast of England was generally our destination of choice). Often times it’s older people who seem to do this the most. Perhaps the sea offers a glimpse of something else, something poignant, something nostalgic. Or maybe they just need a sit down more than the young.

FILM - Together

Olympus 35RC & Eastman Double-X.

Taken on 13 September 2019

35mm · Film photography · Photography

Ice cream

The ice cream stand on Mablethorpe promenade. It has a satisfyingly wide range of choices, including those oyster-shell wafers filled with soft-serve that always look really nice, but which I’ve never once had in my entire time on this Earth. I did buy an ice cream, a 99, but it was from another shop.

Also in shot is a ubiquitous seaside sight – the giant ice cream cone! 🙂

Anyway, the lady in the photo’s stripey top has come out nicely on the Double-X. Although the blacks look pretty deep, there’s still detail in there when you look closely.

Sadly, this was the last of my Secret Santa supply of this film, so I’ll need to buy some more.

FILM - Ice Cream Stand

Olympus 35RC & Eastman Double-X.

Taken on 13 September 2019

35mm · Film photography · Photography

Damflask

This is another photo dating back to early 2017 and depicts Damflask reservoir to the north-east of Sheffield. It is one of a series of reservoirs in the Loxley Valley and tributaries, the others being Agden, Dale Dyke, and Strines.

Dale Dyke is notorious for having catastrophically burst in 1864, shortly after construction, flooding the valleys downstream and the city of Sheffield, resulting in 244 deaths.

Damflask reservoir is named after the village of the same name that was washed away by the Dale Dyke tragedy.

FILM - Damflask

Olympus 35 RC & Ilford HP5+.

Taken on 13 January 2017

35mm · Film photography · Photography

Greco Brothers

One of my odd shots of nothing much in particular or, as I see it, a beautiful image of a box of ice-cream cones. I seem to have a penchant for this kind of ephemera. Most people would just pass it by but I like to think that, sometime in the future, it will provide a small piece of social history. Plus I like it as a photograph too. There’s no accounting for my taste!

The Olympus 35 RC has rendered the detail wonderfully. If I look at the full resolution scan I can read the writing on the British Standards kitemark at the bottom right of the window.

FILM - For that extra taste, that extra crispness

Olympus 35 RC & Ilford HP5+.

Taken on 21 July 2019

35mm · Film photography · Photography

Odd acoustics

The annual Tramlines festival took place in Sheffield last weekend and so I went for a walk around the town centre on the Sunday morning. I ended up taking very few photos of subjects directly related to the festival, but there were a number of other related events taking place around the town centre too. As I walked through Barker’s Pool I saw a bloke sat on the City Hall steps who I though might make for a nice subject. As I was sizing up the composition I heard the sound of approaching music and turned around to see a pair of decidedly unusual bicycle-mounted instruments approaching, so I took some photos of them instead.

FILM - Strange sounds

Olympus 35 RC & Ilford HP5+.

Taken on 21 July 2019

35mm · Film photography · Photography

Sleeping in the bookshop

This chap was having a sly forty-winks in the bookshop right next to where the photo books are. I’m not sure how asleep he actually was because he opened half an eyelid when I first walked past him, but then, sensing no threat, he let his guard down again, so I pounced and took the shot!.

Thankfully the 35 RC just makes a quiet click when the shutter fires. I’m not sure I’d have taken it had I been carrying an SLR or something. 🙂

FILM - Napping in the bookshop

Olympus 35 RC & Ilford HP5+.

Taken on 21 July 2019