The same subject as yesterday’s picture, just with a different composition. I prefer this one.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 11 February 2024
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
The same subject as yesterday’s picture, just with a different composition. I prefer this one.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 11 February 2024
Can you anthropomorphise electricity transmission poles? Why yes, yes you can.
Yashica Mat 124G & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°
Taken on 11 February 2024
It’s been a while since any pylon / power lines photos appeared on the blog, so let me rectify that…
Canon Sure Shot Z135 & Kodak Gold. Lab developed. Home scanned and converted using Negative Lab Pro.
Taken 25 November 2023.
I was quite please with this picture of West Burton power station. I like the framing, and I’m a fan of industrial subjects in photographs, but most of all – thanks to the position of the clouds when I took the shot – I like the way that some of the cooling towers and some are light, like some massive game of chess or something.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE and Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.
Taken 2 September 2023.
I had to go out straight after work to take a new lawnmower to my dad’s and have only just gotten back. I need a shower, a drinks and some end-of-week R&R, so this is a short post. 🙂
So here’re some power lines in the snow.
Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9 mins 30 secs @ 20°
Taken 11 March 2023.
A couple of weeks into the new year and I’ve almost run out of new pictures to publish on the blog. This happens from time to time and isn’t really a problem as I have loads of photos that have never appeared here before, so it’s not like I’ll run dry or have to start repeating images or anything. Nonetheless it bothers me. I like to have a stream of new pictures, mostly due to the weird way my brain works and puts internal pressure on me to do things that, at the end of the day, really aren’t that important. I doubt a lack of newly shot pictures on my blog will make front page news.
I have a roll of Delta 400 in my Yashicamat 124G with four frames left to shoot. If I manage to do that, then I can develop and scan the full roll at the weekend and keep the fresh photo express on the tracks. I also have a couple of 4×5 large format sheets to develop, but I’m wary as to how succesful they might be as photographs until they’re scanned. If all goes well that should give me enough pictures to keep me going another week, but I’ll be in the same position of self-imposed stress about it by the following weekend. Sheesh!
Is anyone else crazy like me?
Apropos of nothing, here’s a picture of some power lines…
Olympus Trip 35 & Ilford HP5+ . Ilfotec DD-X 1+4 9mins @ 20°
Taken on 24 December 2022.
Two sets of power lines en-route to the large substation at Canklow meadows a few miles away.
I liked the contrast between the organised and regular structures of the pylons and the organic shapes of the two trees flanking them on the horizon.
Yashicamat 124G & Ilford HP5+ . Ilfotec DD-X 1+4 9mins @ 20°
Taken on 24 December 2022.
A week or two back I posted the image that I entered into October’s film photo competition. Before shooting that image (and before I even realised I could make multiple-exposure photos with my Nikon F80) I shot a roll of expired Tmax 100 with my Holga (which I definitely knew could handle multiple exposures!). None of the images from that roll were as appealing as my final entry, but there were a few interesting pictures nonetheless. Here are some from the roll.
Holga 120N & Kodak Tmax 100 (expired 2007). Fomadon R09 1+25 5:30 mins @ 20°
Taken on 9 October 2022
It’s been a while since I posted a photo of powerlines on the blog, so let me rectify that…
There were two things that attracted me to this shot. The foreground and distant pole providing a sense of direction and travel through the scene were the first thing that caught my attention as I approached in the car. Then, after parking I noticed that the best angle to make the picture would also result in the contrail mirroring the track of the powerlines.
I don’t think the picture works as well as I thought it might, mostly because the foreground fence is a bit of a distraction. Unfortunately, given the focal length of the camera and the available places where I could position myself to take the shot meant I couldn’t avoid this. I tried cropping the fence out, but the result didn’t look right.
Olympus XA3 & Kodak Tri-X. Ilfotec DD-X 1+4 8mins @ 20°.
Taken on 30 April 2022
I’ve not posted a power-lines photo for a while, have I? Well let me remedy the situation with this photo of a transformer (at least I presume that’s what it is – I know little of such things) stood at the edge of a flooded field.
It’s a mundane scene, and one that is undobtedly repeated countless times across the country (albeit with perhaps less flooding), but one that appealed to my eye when I saw it.
Fujica GW690 & Ilford FP4+. Lab developed in Xtol.
Taken on 20 February 2022