Looking into the Hope Valley from Bolehills, with Hathersage off to the right of the frame.
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 7 February 2018
Steel City Snapper photography
35mm, medium format and large format film photography (with the odd bit of digital every now and then…)
Looking into the Hope Valley from Bolehills, with Hathersage off to the right of the frame.
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 7 February 2018
I’m a sucker for photos like this one. It’s a mundane subject, but the tones and depth of field are really nice. I love the way the barbed wire fades in and out of focus as it enters an leaves the shot.
Pentax P30T, Rikenon 50mm f/2 & Kodak Tmax 400.
Taken on 7 February 2018
I maybe didn’t get the most attractive view of the building here, but it still has it’s charms.
Zeiss Mess-Ikonta & Kodak Portra 400 (expired 2016).
Taken on 7 February 2018
I had a day off work this week and took a trip out into the nearby Peak District National Park. I was mostly trying my hand (not very successfully) at some landscape stuff using my digital camera, but I still stuck a couple of film cameras in my bag and managed to polish off a roll of 120 Portra 400, plus the remains of some Tmax 400 in my Pentax P30T.
The area I visited is littered with millstones in varying stages of completion, hewn from the local gritstone. The one in this photo must’ve been photographed many, many thousands of times as it lays right next to the footpath leading to Over Owler Tor.
Zeiss Mess-Ikonta & Kodak Portra 400 (expired 2016).
Taken on 7 February 2018
In the early afternoon light, this large gritstone boulder on the moors above Hathersage, UK, had the look of a face, so I took the photo. It was only after scanning the negative that it struck me as to what it reminded me of – a Teenage Mutant Ninja Turtle (albeit one with a slightly lopsided face), complete with the tail of its bandana fluttering from the left side of its neck.
Or maybe it just looks like a big rock…
Zeiss Mess-Ikonta & Kodak Portra 400 (expired 2016).
Taken on 7 February 2018
This is a shot taken back in the spring with my Lubitel 166 Universal. I’ve since sold the camera after getting my Yashica Mat 124 G – while the Lubitel could take some nice photographs, it was pretty fiddly to use and focussing was tricky.
This is cropped to 6×4.5 ratio from the 6×6 original (although the camera had an adapter that allowed 6×4.5 shots to be made).
Lomo Lubitel 166 Universal and Rollei RPX 400.
Taken on 12 March 2017
I’ve been digging through some (slightly) older shots to see if there are any that I haven’t done anything with, but which are still worth a look. This was one which stood out.
Nikon F70, Nikkor 50mm f/1.8 AF-D & Fujifilm Acros 100.
Taken on 20 September 2017
I took this picture the other week using a red filter, which has really lightened the foreground grasses. It’s not infrared photography, but has a bit of a feel of it perhaps.
Nikon F70, Nikkor 50mm f/1.8 AF-D (with red filter) & Fujifilm Acros 100.
Taken on 20 September 2017
A few tree portraits taken while on a walk around the Longshaw estate in the Peak District last week.
Nikon F70, Nikkor 50mm f/1.8 AF-D (with red filter) & Fujifilm Acros 100.
Taken on 20 September 2017
I had a day off work yesterday and took a trip out to the nearby Peak District National Park. On the north-eastern edge of the park, close to Sheffield, lies the Longshaw estate, and that was my destination.
I took the Yashica Mat 124 G loaded with a roll of Ektar, and the Nikon F70 with the remains of a roll of Acros 100. I’m a little disappointed with the Ektar shots – a couple at the start of the roll are spoiled by some sort of defect, and the others lack some of the wow factor I was hoping for.
However, I still got several photos I like and, although Ektar’s strength is in it’s richly saturated colour, I decided to throw that all out of the window after deciding many of the shots had a lot more impact in monochrome. I also cropped the third of these to a 6×7 ratio to remove some distracting highlights from the top of the frame.
So, here are three of them.
Yashica Mat 124 G & Kodak Extar 100 (converted to black and white in Lightroom).
Taken on 20 September 2017