35mm · Film photography · Photography

Keeping the British end up

So said James Bond at the end of The Spy Who Loved Me. I too am “keeping the British end up” at present, although in the somewhat less pleasurable sense of elevating my broken ankle (at the end of my British leg…) rather than Bond’s double-entendre allusion to a bit of hanky panky in a submarine escape pod.

Unfortunately, in order to type up these blog posts I need to sit at my computer with my foot on the floor (although I am tring to figure out if there’s any way to raise it while I work, even if for a short period). This quickly results in a dull ache starting in my ankle and it soon starts to look noticably more swollen. Luckily for me, my posts rarely stretch further than a few paragraphs, so I will suffer the twenty minutes or so it takes for my art.

I’m off work at present as there’s no effective way for me to keep the ankle raised at my office desk, but I’m hoping it might have recovered sufficiently for me to return next week, even if I need to take breaks. This is the first sick time I’ve had in years and I feel oddly guilty about it, probably because the reason is due to injury rather than actually feeling unwell.

Here’s a picture completely unrelated to what I’ve written above because, well, I suppose I have to post a picture in my so-called photography blog. 🙂

Olympus Trip 35 & Kodak Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 18 July 2022.

35mm · Film photography · Photography

A different point of view through the Olympus Trip 35

A few days ago I posted another photo made at this same location. I was over to the right of the church for that one though, so it was completely out of frame with just the modern high-rise structure rising above the trees. I like this new shotfor the contrast between the two styles of architecture. That original image was shot with my Olympus 35 RC, this one with my Trip 35.

One thing that has struck me while looking at the photos from this roll of Kodak Colorplus is just how nice the lens is on the Olympus Trip 35. It’s a camera I’ve neglected – not having shot mine for a number of years – and then using it’s younger, more compact (and, for me, more recently acquired) sibling, the Olympus XA3 when I wanted a straightforward zone-focus point and shoot experience. The XA3 is a great little camera – truly pocketable – with a sharp lens, but I think the lens on the Trip 35 surpasses it. It’s amazingly sharp and doesn’t vignette either (which the XA3’s lens does to some degree). I shall have to ensure it gets more regular exercise from now on.

Construction through the ages

Olympus Trip 35 & Kodak Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 18 July 2022.

35mm · Film photography · Photography

Inbetween

I was going to post different photos and maybe write a longer piece today but my broken ankle is aching and I don’t want to be sat at the PC any longer than I have to.

The picture I’ve chosen instead was taken while walking to the railway station about a month ago on one of the hottest days the country has ever faced (since records began, at least). The following day was even hotter, breaking the aforementioned records in more than one location.

The day was already very hot even at the time I made this picture, sometime between 7 and 8am, but the scene caught my eye and so I stopped momentarily to take the shot.

Inbetween

Olympus Trip 35 & Kodak Colorplus. Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 18 July 2022.

35mm · Film photography · Photography

Potatoes

On the edge of the village* where I live there is a farm. It’s located on a tight bend in the road, but the narrow verge is always well-tended, and through the gate and gaps in the hedge, you can often see ducks, geese and chickens milling around. The farm also sells a range of produce, and signs such as the one in my photograph are affixed to this tree and at other places. Once upon a time the farm probably backed out onto an undisturbed river floodplain, but this was taken over by a railway marshalling yard when the local coal mine was still in production (it’s been closed nearly 35 years now), and in more recent times now carries the A57 bypass via a viaduct across the valley, which is what can be seen in the middle part of the picture, just behind and above the hedge. Despite all this, there’s still a peaceful air around the farm, especially when the rush-hour traffic has subsided.

*I use the term “village” in its loosest sense – it’s actually just a suburb of Sheffield, but like many satellite settlements that have been absorbed into the wider metropolitan mass, it’s still known as “the village” be local people.

FILM - Potatoes red

Olympus Trip 35 & Fomapan 400.

Taken on 28 March 2019

35mm · Film photography · Photography

Crooked

The Crooked Spire is the dominant landmark in the town of Chesterfield, not too far from where I live. It sits atop the Church of St Mary and All Saints and there are a number of legends as to how it became this way, but the actual reason given is that it is due to uneven heating on the lead coating of the spire from the southerly sun, which results in uneven contraction and expansion, and that the original structure was both made from unseasoned wood and not designed to bear the weight of the lead.

FILM - Crooked

Olympus Trip 35 & Fomapan 400.

Taken on 14 March 2019

35mm · Film photography · Photography

Three wise men

Taken on a morning wandering around the flea market. I used my Olympus Trip 35, which hasn’t had an outing in quite some time, but it’s a lovely little camera. Unfortunately the weather was windy with frequent showers so the market was underpopulated both with visitors, and also with stalls themselves. I still managed to get a few nice shots on the day though.

That said, the Fomapan 400 negatives are quite thin – this is the third time I’ve had this (with three different cameras), so I’m not sure what’s amiss. I’ve not had any issues with the film under-exposing before that I can recall. Oh, well, back to HP5+ for my next 400 speed shoots anyway.

FILM - Three wise men

Olympus Trip 35 & Fomapan 400.

Taken on 14 March 2019

35mm · Film photography · Photography

Refl-egg-tions

A photo from a few weeks back when I went for a wander around a part of town I’ve not explored before. Although it was far from the golden-hour, the light was still nice and I spotted this tray of eggs in a closed sandwich-shop window, positioned in such a way as to be largely unaffected by the reflections obscuring the rest of the shop’s interior. It’s a bit of an odd shot, but one I was really pleased with.

FILM - Eggs

Olympus Trip 35 & Kodak Portra 160.

Taken on 29 July 2017.