35mm · Film photography · Photography

Bennett’s fishing tackle shop

A number of decades ago, back when I was young, I was interested in fishing. As a teenager still at school and blessed with only limited funds, most of the fishing tackle I owned was either passed down from my dad (including a dated, even at the time, cane fishing rod that snapped in half while making a cast one day, much to the amusement of my friends!), or acquired as presents at birthday or Christmas time.

I did have enough money to buy the other necessities of the pastime though: line; floats; lead shot (long since banned!); hooks; perhaps the occasional bigger-ticket item like a keep-net or something; and, of course, bait, usually in the form of a tub of wriggling maggots, often in a variety of dyed shades to make them more attractive to the fish (the ones at all the places I went must have been colour-blind though…).

At the time, years before online shopping and even the World Wide Web itself would be a thing, there were a considerable number of fishing tackle shops in the city. Some were dedicated to the pastime, others were a sideline, such as the barber’s that I visited as a child where you could have your hair cut and then buy a pike lure or something (while pretending not to look at the girlie mags that were amongst the fishing periodicals on a small table between the seats where you sat and waited your turn).

The largest tackle shop in Sheffield (and the country, so it was claimed) was Bennetts. The shop had been opened back in the 1950s by Harry and Peter Bennet, renowned match anglers and railwaymen who used to organise angling tournaments for thousands of local fishermen.

In later years the store moved to larger premises on Stanley Street just off The Wicker on the edge of the city centre, and it was here that I would drool longingly over the extensive range of tackle that I had no possibility of acquiring, before buying a considerably more affordable packet of hooks or a swim-feeder or something along those lines.

As my teens came to pass so, mostly, did my interest in angling, and I probably didn’t set foot in Bennett’s (or any other tackle shop) after that, although my dad continued to fish on occasional trips with his friends that had been organised by the pubs and clubs he frequents, so I would get the odd fishing story every now and then (usually about how he’d caught nothing!),

In 2010 Bennet’s closed for good, partly as a result of the 2008 financial crash and subsequent recession, but also as result of the extensive flooding that hit parts of Sheffield in 2007, submerging the store in feet of water.

The main entrance to the shop on Stanley Street has been repurposed now, but the smaller entrance on The Wicker remains, gradually fading away and falling into disrepair.

I wish I had a photo of the shop in it’s heyday, but I’m still glad for the one presented below. It still serves as a memory and I suspect it won’t be there for ever.

Bennetts

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Cakes

A selection of tasty looking cakes on display in a shop window. I really like the way they are lit by the sun, although somewhat less enamoured at the frosted section of the window that takes up much of the bottom-left of the image. Moving to get a better angle introduced unwanted shadows and reflections though. Such is life sometimes.

Cakes

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Old signs and empty shops

I walked past this abandoned shop while shooting the roll of expired, but satisfyingly good, Velvia 100 that I bought from eBay. The “Properties Cleared” sign was what caught my eye, the paint peeling away from the wood beneath with lovely texture.

Properties cleared

Then I noticed the shop next door, with posters pasted on the boarded up windows, so walked across the road to get a wider view of the whole scene.

It’s probably not everyone’s cup of tea, but I quite like scenes like this and find them interesting to look at. Plus, with the rate of re-development going on in this part of town it will probably not be long before the scene changes again.

I’m very pleased with the sharp rendering of this 50m lens. I already owned the F.Zuiko version, which is very nice anyay, but got the chance to pick up the Auto-S model in the 5xxxxxx seriel number range and the “made in Japan” marking, which is supposed to be the sharpest variant of the OM 50mm lens line up. For a 35mm film shot, the full size scan shows some very nice detail.

On Harvest Lane

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Tired out by Tenet

After a visit to the cinema today – the first in six months(!) – I’m not going to write much again today, just plonk down a few more of the Velvia 100 photos.

I saw Tenet, in case you’re interested. I think I should have taken some sort of pre-movie training course before going in. It’s going to take some time to get straight in my head exactly what was going on!

Black and orange

Summer berries

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

Colour!

A few weeks ago I spotted someone selling a single roll of Velvia 100 on eBay. It had a single bid, but it was still at £1 (plus postage), so I waited until the last minute for a sneaky snipe and managed to buy it for the princely sum of £1.04. With postage it came to less than £4. It was listed as expired, but as it was unboxed there was no way to know how expired it might be and, for that matter, how it might have been stored. Still, for the price, I wasn’t too worried and even entertained the idea of having it cross-processed. In the end though, I decided against it, and just shot it at 80asa.

When I got the developed transparencies back I was very happy. The whole roll apperared to be well exposed (chalk up a win for the OM-2n’s meter!) and the colours practically leapt from the sheet with richly saturated tones. To be honest, I wouldn’t be surprised to find that the roll of film was fresh stock.

As with other rolls of E6 film, it took some tweaking during the scanning configuration and in Lightroom (and Photoshop) to get the scans looking like the actual transparencies, but I think it was worth the effort (and I now have the settings saved for future use – I’ve just bought four more rolls of expired Velvia 100!).

I’ll be posting a whole bunch of the results here in the coming days, but for now, here’s a photo of a car tail-light that was catching some morning sunshine. It might not be the best composition ever, but man, look at those colours!

Tail-light

Olympus OM-2n, Zuiko Auto-S 50mm f/1.8 & Fujichrome Velvia 100.

Taken on 2 August 2020

35mm · Film photography · Photography

The Hub

A couple of pictures of The Hub, home of Sheffield University’s Student’s Union. This was a museum –  the National Centre for Popular Music – when it was originally opened in 1999. It closed a little over a year later due to lack of visitors (including myself).

Passing The Hub

Hub lids

Olympus OM-2n, F.Zuiko 50mm f/1.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10 mins @ 20°.

Taken on 21 June 2020

35mm · Film photography · Photography

My local lab has re-opened!

The local lab that I use for developing has re-opened. Well, in actual fact it opened weeks ago, but I’ve only just spotted that the walk-in reception has now opened again too, meaning I can drop off and collect films without faffing about paying (and waiting) for postage.

Given I’ve been developing my black and white film at home since the lockdown took place, it’s likely that I won’t use them as much as I used to, but today I had a roll of Provia 100F to get developed – I don’t have the chems for E6 film, not do I really want the faff of the temperature control involved. I also had a roll of HP5+ that I was going to develop myself but, as I won’t get the chance until after next weekend, I decided to take the lazy option and pay for it to be devved on this occasion.

I’ve not scanned either roll yet, but the Provia shots look nice and, while I’m not an expert at reading negatives, the HP5 shots look good too – something I’m pleased about as I took a few shots without realising I’d accidentally knocked my light-meter’s ASA setting to 800!.  I’ll try scanning both rolls with Vuescan on my Epson this week to see how they compare with my usual Epsonscan process.

Today’s photo is as hot of a building in the city centre. I liked the play of sunlight on the windows. It’s one of a number of photos I made with the 28-70mm Tamron Adaptall lens that came with the OM-2n when I bought it, but it’s quite soft in comparison with my Zuiko lenses, so I think I’ll sell it on. It hasn’t fared too badly with this scene though.

In sunlight

Olympus OM-2n, Tamron Adaptal 28-70mm f/3.5-5.6 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10 mins @ 20°.

Taken on 28 June 2020

35mm · Film photography · Photography

Looking forlorn in the kitty cafe

In recent years there have been a significant number of cat cafes open in the UK. These are regular cafes, but home to several cats. The idea being that you get to enjoy a coffee and some cake while watching, stroking and (if they’ll let you) cuddling the cats. You usually have to book a place as they’re very popular and entry to the premises is controlled through an airlock-style double door system to prevent mass escapes.

As with so many other things however, the cat cafes have been hit by the pandemic and lockdown. While some may be starting to re-open now, when I passed this one a few weeks ago it was still closed for business and this little lady was looking forlornly from the window.

Looking forlorn in the kitty cafe

Olympus OM-2n, F.Zuiko 50mm f/1.8 & Ilford HP5+ (@800asa). Ilfotec DD-X 1+4 10 mins @ 20°.

Taken on 21 June 2020