Film photography · Medium Format · Photography

On a lunchtime walk

While I’ve not listed any new year’s resolutions this year (I’ll only go and break them anyway), one thing I do aim on doing is losing some weight (ha ha ha) and part of this process will be to try and get out and walk more often. I’m fortunate in that I have a country park within easy walking distance of home which has a footpath that makes a circuit around two of the lakes there. In all it’s around four miles to walk from home, around both lakes, and back home again (although a mile can be shaved from that by skipping the path around the smaller lake).

While the park is a good thing to have on the doorstep, it’s not the most inspiring location for photography – or at least the sort of photography that I favour. The park has been in existence for almost forty years now and was built on reclaimed mining land. The trees and shrubs planted at its inception are well into adulthood but, despite this, the way that they are arranged (in small, impenetrable, copse-like, groupings) means that most of the park is open grass that slopes gently to the lakeside. While this gives good lines of sight across the water, the views aren’t ones I find especially inspiring, especially as the park sits in a bowl of hills, most of which have easily visible and bland-looking suburban housing or industial buildings on them.

Despite my moaning here, I’m grateful the park is there, and it will undoubtedly be the venue for some of my walks. I think it’s only fair that I challenge myself to achieve some nice photos on my visits.

I’m also fortunate to have a number of other pleasant walking locations within 5-15 minutes drive from home, and I plan on making use of those too. The agricultural land where these lie is criss-crossed with public footpaths and rights of way and I’ve found that even the most unlikely looking paths can throw up some surprisingly beautiful photo opportunities if you take the time to look for them.

Today’s photo was taken just above Renishaw golf course. The hills in the distance have plenty of buildings, but the mist on the day did a great job of obscuring them and making the scene look far more rural than it is.  The power-lines and farm track make for a couple of great leading lines, and it’s the sort of scene that works a charm when photographed with the Holga.

FILM - They play golf down there

Holga 120N & Kodak Tmax 400.

Taken on 18 December 2019

35mm · Film photography · Medium Format · Photography

Day 365 – Twelve favourite photos from 2019

My initial plan for today’s post was to publish 12 photos that were taken this year but which haven’t featured in the blog, but on second thoughts I’ve decided to take the more traditional route. There might still be some that never appeared here before though – I tend to upload more stuff to Flickr than gets featured here – so aren’t you the lucky ones. 🙂

Today also marks the 365th consecutive blog post of the year – a target I attempted once before but which fell through when other events in my life took precedence. Not every blog was written on the day it was posted – in situations where I’ve been away from home I’ve pre-written blogs and then scheduled them to automatically publish (or made them live from my phone). Because of the way I link my photos from Flickr, I’ve found it’s a complete PITA to try and write and publish from mobile devices.

Anyway… Before I get on to the pictures, I just want to take the time to thank all who’ve viewed, interacted or commented on my blog over the year and to wish everyone a happy new year.

So, the photos…

January – This tree sits on the moors just south of Sheffield and is just a few metres from the roadside. It’s distictive shape made for an easy composition. Sadly the tree has now suffered damage – the last time I passed all that remained was the trunk as the upper branches have been broken off. 😦

FILM - In a lonely place (35mm)

Nikon F80, Nikkor 28-80mm f/3.5-5.6 AF & Fomapan 400. Taken on 20 January 2019

February – Eyes in the back of his head? One of the tenets of street photography is to be prepared and ready to catch that decisive moment when it occurs. Sadly, this is rarely the case for me and I’ve missed loads of potentially nice shots due to fumbling with the camera. This was one of the times I didn’t.

FILM - He's got eyes in the back of his head

Olympus 35 RC & JCH Streetpan 400. Taken on 15 February 2019

March – Portraiture is not something I have much of an interest in, particularly studio portraits (although I do enjoy looking at environmental portraits), so when an opportunity arose to photograph some models at the local camera club I wasn’t sure whether I’d enjoy it or not. While I can’t say it ignited any desire to take more portraits, I was very pleased with my results, one of which is below. It isn’t prefect (the creased backdrop lets it down a little), but the way the Sigma 105mm lens and the Kodak P3200 rendered the images is lovely.

FILM - WPS Model Session-2

Nikon F80, Sigma 105mm f/2.8 OS HSM & Kodak Tmax P3200. Taken on 19 March 2019

April – A gate on a public footpath through Edale in the northern Peak District National Park. I think this photo has a certain charm to it, there’s a sense of mystery as to where the path leads and what might be beyond the gate. This is from the penultimate roll of film through my Yashica Mat 124G last year. I shall have to rectify this situation and shoot with the camera again post haste!

FILM - A path near Edale

Yashica Mat 124 G & Fomapan 100. Taken on 20 April 2019

May – During May I visited New York with my family. It’s the second time I’ve visited (and I’d love to return – although I think my wife would prefer somewhere else in the US if we get across the Atlantic again) – I could have spent all day, every day just walking the streets taking photos. It was a family trip though, so I grabbed whatever I could. This is just a view down 7th Avenue after a rain shower, but it screams New York to me.

FILM - 7th Avenue

Canon Sure Shot Z135 & Ilford HP5+. Taken on 28 May 2019

June – A box of pre-owned pool balls on a stall at the Sheffield Steam Rally. I think I might have said at the time that colour would have been a more obvious choice here, but I love the contrast given by the HP5+.

FILM - Balls

Nikon F80, Nikkor 28-80mm f/3.5-5.6 D & Ilford HP5+. Taken on 30 June 2019

July – The beach at Scarborough. My wife and I took a trip to the seaside and I shot a roll-and-a-half of film during the day. This is just a snap of the beach, the people enjoying themselves there, and some yachts in the sea beyond, but it has a nice “Martin Parr” feel to it that I like. It was also an opportunity to test the little Pentax Espio compact that I’d bought for £1 a fortnight before.

FILM - On the beach

Pentax Espio 140M & Fuji Superia 100 (expired 2008). Taken on 13 July 2019

August – Taken at the Lincoln Steam Rally – the first time I’d attended this event, but it was huge and I hope to go again in 2020. I shot four rolls of film on the day, but this Ektar shot of a vintage truck is a favourite. The almost 70-year-old Zeiss Mess-Ikonta continues to impress with it’s superbly sharp lens.

FILM - ERF

Zeiss Mess-Ikonta 524/16 & Kodak Ektar. Taken on 17 August 2019

September – A day trip to my childhood seaside haunt: Mablethorpe. It’s a place I’m always drawn back to, even though I’m always slightly disappointed that it hasn’t remained frozen in time as I remember it from when I was a child. Another day where several rolls of film were shot (including three botched rolls through my Holga because I had it set to bulb mode!). I’ve many photos from the day that I like, but this is the one that always springs to mind when I think back.

FILM - Water dragon

Olympus 35 RC & Kodak Portra 400. Taken on 13 September 2019

October – I took a trip to Doncaster racecourse with my dad, and this is one of the photos from the day. The weather was awful, with heavy rain all day, but oftentimes bad weather makes for good photos.

FILM - A day at the races

Olympus OM-1, Zuiko 75-150mm f/4 & Ilford HP5+. Taken on 25 October 2019

November – This shot is potentially my favourite of the whole year. The simple but beautiful charms of the Holga coupled with a wonderfully foggy day made for some amazing photographic opportunities.

FILM - The path untaken

Holga 120N & Kodak Tmax 400. Taken on 30 November 2019

December – December is a little difficult as, as I type this, I have three rolls of film waiting to be processed still and there might be a showstopper on there (or possibly not), but this image that I took just before Christmas on a lunchtime walk is definitely worthy of the spot. It’s another Holga 120N image, but cropped to a 4×3 ratio (the bottom of the frame has a river in it, but it didn’t add a lot to the overall image and the landscape crop works much better. The way the Holga renders out-of-focus details is wonderful, and almost impressionistic in style.

FILM - Breaking through

Holga 120N & Kodak Tmax 400. Taken on 18 December 2019

So there you have it. Twelve favourite shots from 2019. As with any list like this it’s subjective, and if I were to do it again tomorrow several of the selections might change, but for now it will do.

One final word – I’ll proof read it later, so apologies in advance for any typos or grammatical goofs. 🙂

Film photography · Medium Format · Photography

A6187

This is the A6187 road. It runs thirteen and a half miles from Fox House Inn on the outskirts of Sheffield (close to where this photo was taken), to the village of Castleton – famous for it’s caves and Blue John.

The section here veers in from the left where the trees are, crosses Burbage Brook and angles up towards Surprise View carpark – which is just beyond the birch woods in the middle -right. Shortly after that the road takes a 90-degree turn to the right and decends into Hathersage and the Derwent Valley.

FILM - A6187

Bronica ETRSi, Zenzanon 75mm f/2.8 & Shanghai GP3 (expired).

Taken on 22 November 2019

Film photography · Medium Format · Photography

Packhorse bridge

This packhorse bridge spans Burbage Brook below the ancient hill fort of Carl Wark in the north-eastern Peak District National Park. The bridge is grade II listed and dates to around 1750. The bridge still gets regular use by hikers as the only span across the brook between the A6187 to the south and Ringinglow Road to the north.

FILM - Packhorse bridge

FILM - Next to the pines

Bronica ETRSi, Zenzanon 75mm f/2.8 & Shanghai GP3 (expired).

Taken on 22 November 2019

Film photography · Medium Format · Photography

Murky moorland days

This photo was taken on the edge of a small abandoned quarry, up on the moors near Over Owler Tor. It’s likely that gritstone was quarried here for the manufacture of grinding wheels and the like. You can’t see the quarry in the shot – the large boulder is atop the opposite side – but there was a significant drop just in front of my tripod.

The weather was gloomy, misty and damp on the day. Not what you’d usually get excited about, but I’d booked a day off for the trip out a few weeks in advance and had little foreknowledge of the conditions (although, it being November in the UK, I should have had a good idea). I did consider just staying at home, watching TV and reading books, but pushed myself to go out – I’d only have regretted it otherwise – and was glad I did. The conditions were still far from ideal, but the murk and low cloud are atmospheric in themselves and much better than the blanket of featureless flat grey that I’d seen when I got up that morning.

FILM - Atop an abandoned quarry

Bronica ETRSi, Zenzanon 75mm f/2.8 & Ilford Delta 400.

Taken on 22 November 2019

Film photography · Medium Format · Photography

Mother Cap

A couple of photos today that I took while walking on the moors around Over Owler Tor / Higger Tor / Carl Wark  last weekend. I actually shot a couple of rolls – one Delta 400, and one Shangha GP3 – but I’ve only scanned the Delta so far.

I made a concerted effort to remember to use the mirror lock-up on the Bronica this time – a roll of Velvia I shot recently had resulted in a number of shots that were less sharp than I’d hoped, which I’d put down to camera shake caused by mirror slap. All the shots this time were nice and sharp – even those shot at slow shutter speeds (half-a-second and the like). The only downside was my lack of experience in shooting the camera with the mirror locked up. The process is:

  1. compose the shot
  2. lock up the mirror
  3. fire the shutter
  4. unlock the mirror
  5. wind on to the next frame

If you forget stage 4 and wind the film on, the mirror remains in the locked up position until you take another shot. As a result of this I had a few double frames where I had to take a second, identical photograph (although I altered the aperture in some cases just for the hell of it) as it’s imposible to recompose while the mirror is up.

Anyyway… here are a couple of images of Mother Cap, a gritstone outcrop just below Over Owler Tor in the Peak District national park above Grindleford. It doesn’t look too big in the first image, but it’s a decent size when you’re up close – being maybe 20-25 feet high. The guy at the left of the frame was taking his own photos of the rocks when I caught him up, and was interested to see the view through the Bronica’s waist-level finder.

FILM - Heading to Mother Cap

The second shot is a close-up picture of part of the the formation – this is the actual angle that the layers are at.

FILM - Mother Cap rock detail

Bronica ETRSi, Zenzanon 75mm f/2.8 & Ilford Delta 400.

Taken on 22 November 2019

35mm · Film photography · Photography

On an overcast day

I guess that this is a direct follow on to yesterdays photos, although this one was taken earlier – within a few minutes of the flooded field photograph that I posted a week or so back.

Once again, you will see the appearance of powerlines in the picture. While they add to the composition , they (and the tree and the road) were not the primary reason for taking the photo. That honour goes to the second bush from the right. You can’t tell from this black and white conversion, but it was a vivid autumnal orange, and attracted me to the scene. Alas, the uniform overcast grey sky meant that the colour image was a little drab, even with the splash of orange, so I went for the conversion instead, where the powerlines, tree and road make the shot.

FILM - Overcast

Canon Sure Shot Telemax & Kodak Colorplus (converted to B&W).

Taken on 9 November 2019

35mm · Film photography · Photography

A compulsive attraction to power?

Nine days. a whole nine days… That’s how long I managed to go without posting more photos of powerlines. I wonder if there’s a name for this weird attraction to them as photographic subjects? There are definately a number of groups devoted to the subject matter on Flickr – I know this because I post my pictures to them sometimes!

I’m probably over-egging this a bit to be fair – it’s not as though I go out of my way to take pictures of them deliberately. I never plan a day out to travel around photographing pylons or anything like that. It’s just that I find that they have a look to them that appeals.

FILM - Empty fields

Sometimes, as in the case of the photos today, it’s their surroundings – this time following a route across empty autumnal fields in a way the evokes big empty spaces and calls Glen Campbell’s Wichita Lineman to mind. It’s a false evocation – here in the UK you’re rarely more than a few miles from civilisation, or at least evidence of such, but that’s one of the beauties of a photograph – they can tell other stories than their reality.

FILM - Empty fields-2

I did wonder about leaving these as colour images. They were shot on a dull, ovecast day with flat light and of a largely muted colour scheme – the only real colour being a soft yellowy beige of the autumnal cropped grasses in the fields – which did have it’s own faded charm. On the whole though, I prefer the black and white versions.

FILM - Empty fields-3

Canon Sure Shot Telemax & Kodak Colorplus (converted to B&W).

Taken on 9 November 2019

Film photography · Medium Format · Photography

Padley Gorge

Padley Gorge is a steep sided wooded valley situated in the north east of the Peak District national park, not far from nearby Sheffield. The sides of the gorge are packed with interesting twisty trees and the ground is littered by gritstone boulders of all sizes, many of which are covered by moss and lichens. Burbage Brook runs down the middle of the valley, carrying runoff from the moorland above. It really is a beautiful place.

When I visited last weekend we’d had a considerable amount of rainfall over the preceding weeks and the brook was in spate. It’s always nice to see, even when the flow is gentle, but when the water is a torrent it’s very impresive indeed.

Despite the somewhat grim weather meaning I had to keep putting my (non-weather-sealed) cameras back in the bag at frequent intervals, I had a really nice time walking to the bottom of the gorge – where there’s an excellent cafe the does a great job of filling the bellies of passing hikers – and then back up to the top where I’d parked my car.

FILM - Beautiful Padley Gorge

FILM - Burbage on Velvia

FILM - Twisty-turny

Bronica ETRSi, Zenzanon 75mm f/2.8 & Fujifilm Velvia 50.

Taken on 23 October 2019