Film photography · Medium Format · Photography

A bike on the prom

There’s something about a bicycle, especially one propped against a fence, that seems to attract my eye. I don’t think I’m alone in this, and there are countless photographs of bicycles, both ridden and riderless to be found. I wonder if anyone has put down in words why they are a popular subject?

My own theory is that they make for a pleasing combination of geometric forms, a combination of circles, triangles and other polygonal shapes. They also make for interesting subject matter whether seen in full, or as detail – a wheel, a saddle, a chain for instance – and different points of view give even more variety – from the side, from the front, from above.

And once other factors are added to the mix there’s an almost limitless variety of pictures to be found. Every change of light, of type, of surroundings brings more into play.

The shot below is pretty simple. A bike leaning on a fence with the North Sea behind. I like the contrast of the dark bike against the bright railings. I also like the little incidental details caught by the shutter – the couple in the sea, the distant boat, and the kite that has fluttered into the edge of the frame.

Seaside bike

Olympus OM-10 & G.Zuiko 35mm f/2.8 on Ilford FP4+. Ilfotec DD-X 1+4 @ 20° 10mins.

Taken on 2 August 2024

Film photography · Medium Format · Photography

Written in sand

The beach at Bridlington is backed by a sea wall along the stretch in front of the town north of the harbour area. This means there’s a good vantage point for looking down upon the sand and seeing the activities of the people enjoying the seaside, including writing messages in the smooth wet sand.

Despite my own spelling often being atrocious (albeit usually due to my inaccurate keystrokes, rather than an inability to spell), I seem to be quite good at seeing other peoples typos, such as the ones present in the first two pictures shared today. To be fair to the authors, it’s a lot easier to spot them from up on the promenade, than it probably is a beach level.

The third shot is spelt accurately, although it’s missing an apostrophe in “mums” and the spacing leaves a little to be desired. It’s not lacking in impact though, and I wonder what “mum” thought about the message?

😀

Beach writing
Beach writing-2
Beach writing-3

Olympus OM-10 & G.Zuiko 35mm f/2.8 on Ilford FP4+. Ilfotec DD-X 1+4 @ 20° 10mins.

Taken on 2 August 2024

Film photography · Medium Format · Photography

Bridlington beach

Back to black and white again. The coming series of posts will be photographs I made during a day trip to Bridlington with my wife back at the start of August.

This shot seems quite grainy for FP4+, but I do like the light and the expansiveness of the beach, with the coast curving around to the distant promontory of Flamborough Head.

Beach scene

Olympus OM-10 & G.Zuiko 35mm f/2.8 on Ilford FP4+. Ilfotec DD-X 1+4 @ 20° 10mins.

Taken on 2 August 2024

Film photography · Medium Format · Photography

A wet morning in Blackpool

Back at the end of June I spent the day in Blackpool for The Big Film Photowalk, a series of events around the country that had been organised by Analog Wonderland, the UK based film stockist. I posted about the events of the day here.

While the photowalk in Blackpool took place in Stanley Park, about a mile or so from the seafront, I parked near the town centre as my wife and her sister had accompanied me for the day and were planning on wandering round the shops while I went to take photos. As I was early for the photowalk, I took the chance to go and shoot some photos on a second camera I’d brought with me – my OM-10 – loaded with a roll of expired Fuji C200.

As I said in my other post, the weather on the day was not what I would have chosen. And while the photowalk had its share of drizzle and gloom, the beginning of the day along Blackpool’s seafront was worse, with bouts of full rain and a stiff breeze to contend with. I wasn’t confident of success, especially as I would usually prefer black and white for these conditions, not expired C41 film. Thankfully though, I was wrong, and I really like these colour pictures. They certainly capture the mood, and where there is colour in the scene, it really jumps out of the frame.

I managed to get pictures of the central and north piers, some (unused!) deckchairs, the sea defences, and obligatory shot of Blackpool tower, a shelter, a slightly pitiful looking crazy golf course, and some hardy metal detectorists on the beach.

Sheltering deckchairs
Curving to the pier
Central Pier
North pier
North pier (partial)
Beneath the North Pier
Gimme shelter
Blackpool Tower and reflection
Detectorists
Overgrown crazy golf
The Regent

Olympus OM-10 & G.Zuiko 35mm f/2.8 on Fujifilm C200 (expired 2012 and shot at 100asa) . Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 29 June 2024

Film photography · Medium Format · Photography

Further scenes from a steam rally

I still have a sizeable backlog of photos that I haven’t yet published on the blog (or, in some cases, even uploaded to Flickr yet). I’ve already posted quite a few pictures that I took at this year’s Sheffield Steam Rally back at the end of June, but those were all medium format shots. I also finished off a roll of expired Fuji C200 on the day as well, and the photos below are the best from that batch.

Hopefully, in the coming days, I’ll share the rest of the photos from this roll, which were taken elsewhere and turned out better than I had expected…

Chimney adjustment
Can anyone hear a ticking sound?
Steam rally scene
Tinkering
Smoky convoy
Twin engines
The back of an old tractor
Hook-a-Duck
Steering wheel
'71 Fury
Land Rovers

Olympus OM-10 & G.Zuiko 35mm f/2.8 on Fujifilm C200 (expired 2012 and shot at 100asa) . Lab developed. Home scanned and converted with Negative Lab Pro.

Taken on 30 June 2024

35mm · Film photography · Photography

In St. Pancras railway station

St. Pancras is the station I use when travelling to and from London, with an occasional switch across to King’s Cross which sits literally next door if the timetables dictate.

St. Pancras Station concourse

It’s a grand old structure dating to Victorian times and consists of the railway station itself as well as a large hotel. The station was thoroughly modernised in the 1990s and now also serves as the international terminus for Eurostar trains to Europe via the Channel Tunnel, giving the place a feel not dissimilar to an airport in some ways. I’ve never travelled on Eurostar, so am not sure if the international terminal has duty free shops and similar as that part of the station is not accessible to regular travellers.

Sir John Betjeman

I remember travelling to St. Pancras before it was upgraded and it was a much more utilitarian affair. Where now you can buy designer clothes or expensive pastries, was once a somewhat dark and grimy feeling terminus, the air awash with the fumes from the diesel locomotives. Now you can have a glass of champagne while awaiting your departure.

Champagne bar

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+. Ilfotec DD-X 1+4 @ 20° 9mins.

Taken 9 September 2023.

35mm · Film photography · Photography

When only a few shots remain

It’s been a nice day today. Blue skies with hints of high altitude clouds and slowly spreading contrails from passing aircraft. It was cold, with a frost that required clearing the ice from the car before I could drive.

While I’d hoped to do some photography, I hadn’t planned on going out especially early, but I woke just before seven AM and after procrastinating within the warmth of the bed, decided that it might be worth getting up and making the most of the morning light.

I’ve been wanting to get out with the large format camera again after the disappointment of the last outing, and the day would have been ideal as, in addition to the good light, there was also little wind, something that can be a hindrance when shooting large format cameras. However, I also had two partially shot rolls of film in other cameras.

I sometimes find that partially shot rolls are a distraction. It”s perhaps just the weird neurodivergent way that my brain works, but I like to finish a roll before starting another one, so having two rolls with un-shot frames waiting to be used was pulling some strings in my head. One was a roll of Portra 160 that I’d half shot a couple of weeks ago with the Bronica ETRSi (on the day of the large format disappointment, in fact) which had about half the fifteen frames left. The other a 35mm roll of Kodak Gold that’s been in my Canon Sure Shot Z135 for a while (since the end of October, maybe) which still had about a third of the roll still to be used. While it’s not always possible, I much prefer to finish a complete roll of film than to have some left over. At the same time I don’t want to waste film on “nothing shots” just to use it up. Rock, meet hard place…

So this morning I decided to forgo the large format stuff and instead finish at least one of these partially consumed rolls of film. I had no real plan on where I would go (sometimes this is a problem all of it’s own that leads to me going nowhere due to not being able to make my mind up) but I remembered a scene that I’d passed a few weeks previously but been unable to take advantage of – some blocks of high-rise flats lit by the early sunshine. Not far from this is another location that I felt might be promising at this time of the day too, and from there I could drive out into the countryside and just see what might catch my eye. Not the most structured plan I’ve ever had, but certainly better than complete indecision.

In the end the morning turned out quite nicely and I managed to finish the roll of Portra, although about half-a-dozen frames remain on the Kodak Gold, so that one will keep nagging at me for a while longer, especially as I’ll hold out on getting the first roll developed as it’s more cost effective to send multiple rolls of film to the lab than to post them individually.

Sadly I can’t show you any of these photos today for the aforementioned reason, but they’ll appear at some point (although the way my backlog is, it might be sometime in 2024!). So, instead, here’s another picture from London. It’s a curiously old-fashioned looking picture showing the rear of the Apollo Theatre that (apart from the 20mph sign and the double-yellow lines on the road) probably wouldn’t have looked much different had it been taken in the 1950s.

Stage door

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+. Ilfotec DD-X 1+4 @ 20° 9mins.

Taken 9 September 2023.

35mm · Film photography · Photography

Seen in Trafalgar Square

These two pictures don’t really impart just how hot it was in Trafalgar Square when these were taken.

The mid-30s Celsius is probably nothing to make a fuss about in some parts of the world, but here in the UK that’s hot!

Paddling isn’t allowed in the fountains, but dipping your feet in is apparently fine, and so many people were taking advantage of the cool water in this way.

The second shot shows the Fourth Plinth, which I wrote about in a previous post.

Nelson's Column
The Fourth Plinth

Olympus OM-1N, G-Zuiko Auto-W 35mm f/2.8 & Ilford HP5+. Ilfotec DD-X 1+4 @ 20° 9mins.

Taken 9 September 2023.