Tag: fog

Film photography · Medium Format · Photography

At the edge of the reservoir

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This photo was taken shortly before the picture of the flying gulls that I posted yesterday. It’s one of several I took (this one and yesterday’s with the Zeiss Mess-Ikonta, and the others with the Holga 120N).

There were a significant number of birds present. Most of them were out on the water as I approached, but they’re obviously used to being fed by people as, as soon as I appeared, the whole lot of them swam or flew straight to the shoreline and right up to my feet. They then all flew away suddenly in a cacophany of flapping wings when a lady with a dog turned up. As soon as they saw she had a big container of food for them they soon came back though, completely ignoring the dog.

I nearly had a mishap while taking these. There was a “No Swimming signpost that I thought might make a nice image, but the muddy floor was extremely slick underfoot and I almost went down on my back when my feet slipped. In the photo, the floor looks like a gravel surface, but this is misleading – it’s actually a thin layer of slippery mud with leaves dotted through it. Thankfully, my ninja-like reflexes saved the day.* 🙂

Both this and yesterdays photo both managed to find their way into Flickr Explore this morning, although the one with the flying gulls dropped from the list later on.

FILM - Reservoir's edge

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 30 November 2019

* Ninja-like reflexes = lumbering middle-aged bloke who got lucky this time.

Film photography · Medium Format · Photography

Autumn bandstand

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I visited the town of Barnsley on Saturday. There are three photo exhibitions currently on show at the Barnsley Civic that I wanted to see. The one that attracted me initially was Broth Tarn, a collection of gritty northern street photography by Sean O’Connell. It was featured in The Guardian newspaper recently and looked to be right up my street. O’Connell has an Instagram feed that features his work here.

The other exhibitions were Barnsley Markets 1982 – 1987 featuring photographs by Harry Brooks taken in the 1980s of, you guesed it, Barnsley Markets, and North: Fashioning Identity  which explores nothern identity and fashion which features work by many photographers, including Peter Mitchel and John Bulmer. While the latter exhibition wasn’t my prime reason for the visit, I very much enjoyed the experience (and took a few photos while exploring the photos and displays).

While I’ll likely be publishing some of these photos, this is pretext to today’s pictures which were taken later in the day when I stopped off at Elsecar Heritage Centre on my journey home. By this time, despite the lovely early morning sunlight at the start of my trip, a thick fog had descended across the entire region, and fog’s not something I like to miss if I get the chance, so I set off to get some more images before I headed home.

Across from the heritage centre is a park and Elsecar Reservoir, and in the park is a bandstand. I loved the way it looked in the fog, backed by misty skeletal trees and flanked by empty benches. I’m a Stephen King fan, and the scene evoked the bandstand in the fictional town of Castle Rock where a terrible event takes place in the novel The Dead Zone.

As well as the Zeiss, I also had the Holga with me and took further pictures with that, so they might turn up in a post in the coming days too.

FILM - Castle Rock evoked

FILM - Late autumn atmosphere

Zeiss Mess-Ikonta 524/16 & Ilford HP5+.

Taken on 30 November 2019

35mm · Film photography · Photography

Forgotten photographs

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I like to carry a compact film camera with me wherever I go, and so tend to keep one in my coat pocket at all time. This does mean that the habit tends to fall off somewhat in the warmer months when I don’t have a handy pocket, but through late autumn to early spring I’ve usually got a camera on me.

The camera of choice for quite a while now has been a Canon Sure Shot Telemax point-and-shoot compact, a camera that has the distinction of being the only film camera that I’ve owned since new. It was a gift from my parents nearly thirty years ago and sat unused in a drawer for the best part of two decades until I got back into shooting film a couple of years ago and I decided to see if it still worked. Despite the battery cover being held shut with tape, it whirred into life with a new battery, so I gave it a go. To say I was pleased with the results would be an understatement – while the camera is far from sophisticated, it produces very nice photographs indeed, and it’s been a constant companion for spur of the moment photo opportunities ever since.

Because of the nature of having it in my pocket much of the time, it means it’s with me even on occasions where I go out to shoot with a different camera, and it also means that it can take a while to finish a roll of film, leading to me forgetting what shots I’ve taken with it and getting an extra bit of anticipatory pleasure when getting the roll processed.

Which leads me to todays post. I finally finished a roll of HP5+ that has been in the camera since last October, and got it processed on Friday and then scanned today. I only got 33 shots for some reason – I vaguely remember perhaps mis-loading the camera and so lost a few frames that way – but happily a great deal of them are keepers (to my own standards, if not anyone else’s, at least).

This shot was taken on a foggy day when I went out with my DSLR last year, and I completely forgot taking any shots with the Telemax, so this was a nice surprise. It’s almost the same composition as a shot I took digitally, except this was handheld, and that was on a tripod. Despite the added detail in the digital version, I might be erring towards preferring the film shot.

FILM - Into mystery

Canon Sure Shot Telemax & Ilford HP5+.

Taken on 25 November 2018

35mm · Film photography · Photography

Grainy days

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Given that I didn’t post anything to the blog yesterday (I left it until late in the evening and then forgot and went to bed!), it’s a double-post day today.

I’m not quite sure why the shot below has such pronounced grain (it was taken with the same roll of HP5+ as many of the other recent shots I’ve posted, and they don’t have nearly so much). Maybe the snow and mist threw the camera’s meter out and then I overcompensated the exposure at the scanning stage or something. I guess I could re-scan the negative and see (but I probably won’t).

Grain isn’t something I dislike though, so not to worry. 🙂

FILM - Figures in a landscape

Nikon F70, Nikkor 28-80mm f/3.5-5.6 AF-D & Ilford HP5+.

Taken on 4 March 2018

35mm · Film photography · Photography

Trees in the mist

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The following photos were taken this morning. I’d planned on visiting the flea market at Chesterfield, but on the way there noticed the nice misty conditions and so got waylaid taking some photographs instead. I decided to convert these to B&W and add some gradient filters and vignettes as I felt it suited the compositions. It’s brought out the grain a lot, but I think that works too.

FILM - Sentinel

FILM - On December days

FILM - Across the field

Canon Sure Shot Telemax & Agfa Vista Plus 200 (converted to B&W in Lightroom).

Taken on 21 December 2017