35mm · Film photography · Photography

Yet more pylons

Yeah, yeah, I know, more pylon / powerline photos. But I make no excuses as I still think they make for excellent photographic subject matter.

Both shots here are 1:1 crops because my OM-1 created a partial double-exposure when winding on the frames (which it did again later in the roll too). Fortunately, these two shots didn’t suffer (and maybe even benefited) from the crop.

FILM - Along the National Grid

FILM - Reflections of power

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford XP2 (expired).

Taken on 17 December 2019

35mm · Film photography · Photography

Room with a view

Well, a room with a view of the windows of the building opposite.

This was taken in my hotel room the morning after a works outing. It’s probably not quite up to Stephen Shore standards, but I do like the image.

It was taken primarily as a potential entry for the year long film photo comp I’m in – for this month’s “Frame within a frame” subject. I can’t win the competition now anyway as I don’t have enough accumulated points – the best I’ll manage is a draw (and that’s only if the current front runner gets no votes whatsoever this month) – so I’m happy to enter something slightly more experimental this time.

FILM - Room with a view

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+ (pushed to 800asa).

Taken on 11 December 2019

35mm · Film photography · Photography

In a hut at Bletchley Park

As a direct follow on to yesterday’s post (there will likely be a few more – I have other Bletchley photos), here’s a picture taken in one of the huts at Bletchley Park museum. I *think* this is Hut 8, which is where German naval Enigma codebreaking took place. It’s also where Alan Turing had his office. None of this can be seen in the photo however, and I took it mostly because I liked the way the coridor was lit by the overhead lights, with the door at the end of the corridor forming a focal point.

Even with the HP5 pushed to 800asa I still had to shoot wide open at f/1.8 and 1/30s, and brace myself against a door frame to prevent camera shake. I took three shots of this scene, looking in both directions. One still suffered from shake, so isn’t included here.

I prefer the first shot, as I think it’s cleaner without the equipment and fire-extinguisher (and smoke alarm), but the other is nice too. The primary difference is in the point of focus, the first being on the door at the end of the corridor, the second on the closest ceiling light. Oh, and the first shot was taken from closer to the door.

FILM - The way out

FILM - The way out #2

In other news today, my Emulsive Secret Santa parcel arrived – it’s a large, heavy box all the way from the USA, and I can’t wait to see what’s inside.

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+ (pushed to 800asa).

Taken on 11 December 2019

35mm · Film photography · Photography

In the garage at Bletchley Park

I was fortunate enough to visit Bletchley Park last week, the site of Great Britain’s code-breaking activities during WWII, and now a museum. I’m still in the process of scanning the roll of HP5+ I started on while there, but today’s post contains a couple of images from the initial strips of negs.

These are a couple of vintage vehicles housed in the garages at the rear of the main hall building. The light was pretty dim – the weather forecast that morning predicted thick cloud and overcast conditions, though they’d managed to get it somewhat wrong as it was brilliant sunshine all morning. The bright light meant many of my outdoor shots now had to be shot at f/22 & 1/1000s due to the sensitivity of the pushed film! It was advantageous in the dimmer indoor areas such as this though.

Anyway, here we have an Austin Six ambulance, and a Sunbeam-Talbot 2-litre Sports Tourer.

FILM - Austin Six Ambulance

FILM - Sunbeam Talbot

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+ (pushed to 800asa).

Taken on 11 December 2019

35mm · Film photography · Photography

A day at the races

About three weeks ago I visited Doncaster races with my Dad. I’d bought him an experience day voucher for his birthday earlier in the year and, as he’d not found anyone else who wanted to go with him (I’d assumed he’d have gone with one of his pals), I said I’d go. By the time this happened, there was only one event still available before the coucher was due to expire, the Vertem Very Different Stockbrokers Raceday on 25 October. As this was a Friday, I booked a day’s leave.

FILM - Looking for a winner

The voucher gave us access to the County Enclosure at the racecourse. This meant no denim, no trainers or sportswear, and the requirement to wear a collared shirt. It also granted us a £5 voucher each for a drink, as well as a free race programme.

FILM - Bookies

When the day arrived, the weather was pretty atrocious with heavy rain forecast for the whole day. When we arrived there were very few people in the outside areas of the enclosures other than those wishing to place a bet at the trackside bookies, or those armed with umbrellas. Most people seemed to be inside watching proceedings on television screens. This seemed somewhat pointless as, as my dad said, they might have well just gone into a local betting shop to do this rather than pay the entrance fee for the racecourse.

FILM - Equine athletes

We decided to cash in our drink vouchers before doing anything else (first things first, right?). My dad’s beer was covered by his, but the cider I asked for came to more than the allocated £5 and I had to put another 20p to the cost. It wasn’t even a particularly nice cider either. Nonetheless, we found ourselves a table with some free seats and sat down to look at the programme an pick the winners(!). After choosing some likely looking prospects (my dad came armed with a sheet of tips from a bloke he knows) we moved over to the County Enclosure ready for the first race.

FILM - PING

A few minutes before the race was due, we went outside (where it was still raining heavily) to watch the event. Although the bottom tiers of the stands were soaked (see my earlier post for an idea of how wet they were), the higher levels were sheltered enough to have dry seats, so we headed up there.

FILM - Rainy racedays

I think there were seven races scheduled for the day. We didn’t bother with the first, which only had four runners, and we left before the final two races, but the others followed a similar pattern of us watching from the dry section of the stands (where I took a number of photos); retreating indoors to place further bets / take shelter; then repeating the process for the next race.

FILM - By a nose

Although I have little interest in horse-racing, and even less experience in picking winners, I didn’t fare too badly on the day. While I didn’t break even, a couple of good results (including a win!) meant that my losses came to only a few pounds – and I’d written off all my stake money as likely to be lost beforehand anyway, so anything less than a total wipeout was good news. I’m not sure that my dad’s tips played any better than my “stick a pin in it and hope for the best” technique.

FILM - Winner

Overall I enjoyed the day and I’d like to do it again (albeit in better weather).

Olympus OM-1, Zuiko 75-150mm f/4, Zuiko 28mm f/3.5, F.Zuiko 50mm f/1.8 & Ilford HP5+.

Taken on 25 October 2019

35mm · Film photography · Photography

Road-crossing reflections

People waiting to cross cast their reflections on the wet road surface.

It’s one of those photos where I noticed after scanning the negative that someone appears to have spotted me when I took the photograph (three people in this case!). It’s a little difficult to tell for certain, and some of them might just have been glancing in my direction, but I always get an “I’ve been spotted!” feeling when I notice such things.

I was hardly being covert to be fair – stood on the oposite side of the road with a camera to my eye. 🙂

FILM - Crossing the road in the rain

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+ (pushed to 800asa).

Taken on 26 October 2019

35mm · Film photography · Photography

X

I didn’t spot this noticeable “X” formed by the reflection of the buildings and sky until I looked at the negatives.

The water feature is one of several, variously-sized, artworks near the Winter Gardens in Sheffield. They are, along with the “Cheesegrater” car park – which is a literal stone’s throw from this spot – probaby the most photographed objects in the city.

FILM - Calling all mutants

Olympus OM-1, F.Zuiko 50mm f/1.8 & Ilford HP5+ (pushed to 800asa).

Taken on 26 October 2019