35mm · Film photography · Photography

Pandemic scenes #2

The local park is quite small and is essentially an open space in the middle of the housing estate where we live. Nonetheless it still contains a 5-a-side football / basketball court and sets of swings, climbing frames and a slide for children to play on. In normal times, the park would be populated by children of various ages, from older kids hanging out and playing football, right down to toddlers having fun on the infant swings or climbing on the frames while their parents watch them from one of the benches – something I used to do regularly when my boys were younger.

It’s a different story at present, and the park is largely deserted apart from the occasional person walking their dog, taking some exercise, or just passing through on their way to somewhere else.

Pandemic scenes - No swinging

The swings have been tied up and, on the day I took these photos, the equipment had been cordoned off with hazard tape (although someone has since removed it). No-one plays there at present.

Pandemic scenes - Helicopter

Canon Sure Shot Telemax & Ilford Delta 400 – Ilfotec DD-X 1+4 9mins

Taken on 29 March 2020

35mm · Film photography · Photography

Pandemic scenes #1

I took this photograph not long after the start of the UK’s lock-down. People can be seen observing social distancing while queueing to enter the superstore to buy groceries and other essentials. The store was operating a “twenty at a time” rule when this photograph was taken, but this changed the following day so that is was limited to twenty individuals instead of groups (couples etc.). The system worked efficiently and the waiting times were quite short.

Apart from items like pasta, hand-sanitiser, paracetamol and other previously panic-bought items, the store was well stocked with most goods.

As the lockdown has continued, and panic-buying has (thankfully) subsided, most stores are largely back to normal in terms of the stock they are carrying. The social distancing rules are well implemented and most customers now understand how they work. In some ways, and despite the fact you have to queue to enter the store (admittedly something I’ve not had to do in bad weather yet), the lower numbers of people in the shops makes for a nicer experience

Pandemic scenes - Social Distancing

Canon Sure Shot Telemax & Ilford Delta 400 – Ilfotec DD-X 1+4 9mins

Taken on 28 March 2020

35mm · Film photography · Photography

Smoking

Taken at the Barbican complex in London a couple of weeks ago. It was a quickly grabbed shot as I liked the way the scene was lit and the little splashes of colour on the bins. I’m glad the chap is in the picture too, but I think it might still have worked without him there.

FILM - Smoking

Canon Sure Shot Telemax & Kodak Colorplus.

Taken on 13 November 2019

35mm · Film photography · Photography

On an overcast day

I guess that this is a direct follow on to yesterdays photos, although this one was taken earlier – within a few minutes of the flooded field photograph that I posted a week or so back.

Once again, you will see the appearance of powerlines in the picture. While they add to the composition , they (and the tree and the road) were not the primary reason for taking the photo. That honour goes to the second bush from the right. You can’t tell from this black and white conversion, but it was a vivid autumnal orange, and attracted me to the scene. Alas, the uniform overcast grey sky meant that the colour image was a little drab, even with the splash of orange, so I went for the conversion instead, where the powerlines, tree and road make the shot.

FILM - Overcast

Canon Sure Shot Telemax & Kodak Colorplus (converted to B&W).

Taken on 9 November 2019

35mm · Film photography · Photography

A compulsive attraction to power?

Nine days. a whole nine days… That’s how long I managed to go without posting more photos of powerlines. I wonder if there’s a name for this weird attraction to them as photographic subjects? There are definately a number of groups devoted to the subject matter on Flickr – I know this because I post my pictures to them sometimes!

I’m probably over-egging this a bit to be fair – it’s not as though I go out of my way to take pictures of them deliberately. I never plan a day out to travel around photographing pylons or anything like that. It’s just that I find that they have a look to them that appeals.

FILM - Empty fields

Sometimes, as in the case of the photos today, it’s their surroundings – this time following a route across empty autumnal fields in a way the evokes big empty spaces and calls Glen Campbell’s Wichita Lineman to mind. It’s a false evocation – here in the UK you’re rarely more than a few miles from civilisation, or at least evidence of such, but that’s one of the beauties of a photograph – they can tell other stories than their reality.

FILM - Empty fields-2

I did wonder about leaving these as colour images. They were shot on a dull, ovecast day with flat light and of a largely muted colour scheme – the only real colour being a soft yellowy beige of the autumnal cropped grasses in the fields – which did have it’s own faded charm. On the whole though, I prefer the black and white versions.

FILM - Empty fields-3

Canon Sure Shot Telemax & Kodak Colorplus (converted to B&W).

Taken on 9 November 2019

35mm · Film photography · Photography

Commuters

This group of people on the Tube in London caught my eye and I decided to take a quick candid. The Sure Shot Telemax isn’t the quietest of cameras and makes a quite audible camera noise as the motor winds the film on, but I took the chance of getting the shot. As the camera’s frame counter seems to be on the fritz a little, I was unaware that this was actually the last frame on the roll, so itnstead of a single, quick motor noise, I instead got about 10-15 seconds of loud motor noise as the film automatically rewound! No-one seemed to notice though.

FILM - Commuting

Canon Sure Shot Telemax & Ilford XP2.

Taken on 17 April 2019

35mm · Film photography · Photography

An empty seat

So, the big, scary carousel-thing is back in Sheffield at present (it’s been there for a few weeks, in fact). I took a few photos on a disposable Ilford XP2 camera, but this isn’t one of those – although, by coincidence, it’s also on XP2. It’s slightly tricky to get an appealing composition without bits of building creeping into the edges of the frame, and I ended up focussing on just the top of the ride when the pasengers were at the very top. Even then I’ve cropped this in a little.

FILM - Up there

Canon Sure Shot Telemax & Ilford XP2.

Taken on 29 March 2019