Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 2 October 2025
Poor reception
Tag: camera
Big propeller
I think this ship’s propeller was placed here for decorative purposes, rather than some sort of commemoration, but it made for a striking sight.
The three people give a nice sense of scale. They also kept wandering into my shots of other things, such as the fort I posted pictures of yesterday, which was a bit frustrating as they would stand there for several minutes admiring whatever my subject was while I waited to take my picture. Obviously, they had every right to do so, but it felt like some sort of minor karmic retribution for something I must have done wrong at some time.
Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 2 October 2025
Castell de Sant Nicolau
I’ve already shared a digital picture of this fort (the Castell de Sant Nicolau) here. Here are a couple of shots I took with my Olympus 35 RC.
Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 2 October 2025
Seaside quarry remains
Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 2 October 2025
Houses, benches, and bins. Why I photograph the mundane.
Three shots today which are typical of my approach to photography.
I might have said this before, but in case not, one of my favourite photography quotes is from New York street photographer, Garry Winogrand. I’ll paraphrase because I can’t remember if this is the exact quote (he’s recorded as saying a similar thing on many occasions), but it goes like:
“I photograph things because I want to see what they look like when photographed“.
This is pretty much my entire photographic ethos. There’s something slightly removed from reality in a photograph. They’re a moment in time and limited by the camera, lens, and recording medium in a way that our usual eye/brain observations are not. Photographs are stripped of movement, or the wider environment, of the sounds and smells that were present when they were taken. I look at a photograph of a scene or object in a way that I don’t if I’m physically present and, despite the removal of so much sensory information, there is something magical about that still image.
The three pictures shared here today are like that for me. I doubt many would travel especially to see these things. They’re ordinary. But they’re also interesting. Interesting enough for some reason for me to press the shutter button.
Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 2 October 2025
A windmill and the scene across the road
As mentioned the other day, I took the opportunity during our holiday in Menorca to return to the city of Ciutadella alone to take pictures. While I still take pictures when my wife is with me, it’s not the same as wandering by myself, when I can lose myself down side streets and wait for the light and composition of a scene to improve. My wife if patient, but there are limits…
I took the two pictures here just before I entered the “old town” area. The windmill was nigh on impossible to photograph without some type of vehicle in shot as the roads beside it were quite busy, but I don’t mind this van poking its snout into the bottom corner too much.
Just across the road from the windmill was a small pedestrianised area and the play of light and shade, plus the people moving through the scene caught my eye. I like this shot a lot, and I’m impressed at how well this batch of almost 20-years-expired film renders scenes.
Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 2 October 2025
A corner in Ciutadella
Today’s picture is just an ordinary street corner in Ciutadella, but there was something about the arrangement of the windows and doors, the colours of the rendered walls, and the way the light fell on the scene that encouraged a picture.
There was quite a lot of foreground street in the full-size shot, so I decided to crop it to a 16:9 ratio, which I think works better and still provides plenty of detail.
Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 2 October 2025
Bike and oar
An aquatic motorcycle, perhaps?
Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 1 October 2025
Beach hut
Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 1 October 2025
A bus change and a cemetery
Following our trip to Mahón, as seen in yesterday’s post, we had to change buses when we got back to Ciutadella. Our bus wasn’t due for a while, so I took a few minutes to have a quick look at the municipal cemetery, which was right across the road from the bus terminal.
My wife was a little anxious that the bus would arrive and we would miss it, so it was a very brief visit. I also only had a couple of shots remaining on the roll of film in my camera, so it didn’t take long to use those up, with one shot of the entrance, and another of a curved row of vaults* within.
It’s interesting to note the differences between cemeteries in hot, southern European countries like Spain, and those in colder, wetter countries like the UK. The architecture, and methods of interment are very different in both.
* I’m not sure of the correct terminology.
Olympus 35 RC & Fuji Superia 100 (expired 2008). Lab developed. Home scanned and converted with Negative Lab Pro.
Taken on 30 September 2025
Steel City Snapper photography 