35mm · Film photography · Photography

Before the riders arrive

As I might not have full access to my PC to post for a few days while we’re having some decorating done, I’ve pre-written a few posts with older pictures that I haven’t posted before (I hope!). As I’m a little stuck for time to write them, they’ll each have this same boilerplate text. If I get back on my PC earlier than usual I’ll probably put the remaining ones back into the drafts folder for emergencies.

You’re not going to escape the crappy haiku’s though…

Hey crappy haiku
Why assault my senses
With your rubbish verse?

FILM - Summer's attractions under construction

Nikon F80, Nikkor 28-80mm f.3.5-5.6 AF & Fomapan 400.

Taken on 20 February 2019

35mm · Film photography · Photography

Unintended stories

I took this photograph looking down onto the beach from the promenade at Bridlington. I wasn’t quite quick enough to keep the woman at the top of the picture within the frame. At first I was disappointed that I’d not taken the shot quicker but, on reflection, I think the way it’s framed with her partially exiting the top of the shot is more interesting. It’s added a small sense of mystery to the image I think.

On the beach they wait
A sandcastle mystery
Unfolds before us

On the sand

Olympus XA3 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 27 May 2021

35mm · Film photography · Photography

Pirates

Out at sea a lone pirate vessel heads south along the shoreline. Crewed by a motley band of brigands, ne’er-do-wells, and, well, anyone who bought a ticket for the pirate boat trip from the hut at the harbour really.

No press-gangs required
For a trip to sea on this
Small pirate vessel

Pirate shores

Olympus XA3 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 27 May 2021

35mm · Film photography · Photography

North towards Sewerby and Flamborough

The photograph today shows the view looking north from Bridlington harbour, with the beach stretching on towards the village of Sewerby with its well-tended bungalows and from there, where the beach falls back into the cliffs, the spit of land that curves around to Flamborough Head.

Flamborough is a place on my list of locations to visit this summer, although I’m not sure if I’ll get there or not yet. I stayed in a cottage there once when I was young on a trip with my grandparents and cousins. Flamborough is a small place and is the location of a lighthouse and a number of scenic coves which, at low tide, allow exploration of the cliff-foot and sea caves.

Flamborough lighthouse
It’s glow to be seen afar
From land and from sea

Stretching north

Olympus XA3 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 27 May 2021

35mm · Film photography · Photography

Sitting on a wall in a seaside town

After yesterdays photo of a coiled heap of rope on a harbour wall, today there’s a picture of two fellas on a harbour wall (albeit a different section). This trip to Bridlington has, so far, been my only visit to the coast since last autumn. I’ll hopefully get at least a couple more visits before the summer comes to an end though. Because I don’t go too often it always has a charm, and there are always things to photograph.

The British seaside
The beach, the sea, the sunshine
And some fish and chips

Coastal conversations

Olympus XA3 & Ilford HP5+. Ilfotec DD-X 1+4 9mins @ 20°.

Taken on 27 May 2021

35mm · Film photography · Photography

Yellow telescope

The clunky coin-operated telescope – a staple of the seaside resort in the UK (and probably all over the world – there were loads of them dotted around when I visited New York for instance, although were fancy binocular variants). They always seem awkward to use. Big heavy lumps of metal and glass on stiff supports with a limited range of movement. The optics are often full of debris, giving a nostalgic, cataract-ridden view of whatever you manage to point them towards. They probably promise more than they tend to deliver, but I’m happy they’re there, especially when they look beautiful against the blue summer sky as this one does.

Say what can you see?
Out on the beach and the seas
And up in the skies

Yellowscope

Canon Sure Shot Supreme & Fujichrome Sensia 100 (expired 2003).

Taken on 27 May 2021

35mm · Film photography · Photography

People on a beach

People walk on the wide, sandy beach where it stretches northwards from Mablethorpe towards Saltfleet, Donna Nook, and then on to Cleethorpes, Grimsby and the Humber estuary beyond.

I’ve spotted what might be light leaks on a few frames from this roll. Might need to give the OM-2n a once over – I suspect it has no light seals at all at present!

On the beach

Olympus OM-2n, Zuiko Auto-T 135mm f/3.5 & Ilford Delta 400. Ilfotec DD-X 1+4 8mins @ 20°.

Taken on 11 September 2020

35mm · Film photography · Photography

Looking out to sea

Looking out to sea seems to be an enduring calling to many people when visiting the coast, certainly in the UK, but also, I suspect, around the globe. Every seaside resort I’ve ever visited has benches and shelters along the promenade, along harbour walls, and atop cliffs and promontories, for the purpose of providing somewhere to rest while looking at the ocean beyond. Coin-operated telescopes provide the means of a close-up inspection, should something interesting be present on the water. There are car-parks designed in a such a way as to provide access to the view without leaving the comfort of the vehicle (and in the UK, given our tendency to inclement weather, this is perhaps wise).

I remember as a child visiting the beach with my grandparents in the rain. We would just sit in the car, eat sandwiches, drink pop or hot drinks from a thermos-flask, and watch the tide come in or retreat. If the weather was favourable, we’d get to venture onto the sand with our granddad, while grandma remained in the car, often with the aim of building a sandcastle that we could then subsequently watch be destroyed by the incoming waves while we sat back in the car. The castle fallen, and night beginning to fall, we’d return to the caravan for cocoa and bed.

There’s definitely a draw to looking at the sea, even on a calm day. Something about being at the edge of the world and imagining what might lie beyond some distant horizon (usually Denmark in our case, given the east coast of England was generally our destination of choice). Often times it’s older people who seem to do this the most. Perhaps the sea offers a glimpse of something else, something poignant, something nostalgic. Or maybe they just need a sit down more than the young.

FILM - Together

Olympus 35RC & Eastman Double-X.

Taken on 13 September 2019

35mm · Film photography · Photography

Seaside steps

FILM - Beach steps

This is the view looking north from the Lincolnshire seaside resort of Mablethorpe. There is a small promentory at this point on the shore above the outfall from The Cut, a drain that takes water from the surrounding low-lying countryside – mostly agricultural land – and this section of steps leading down to the beach is at the easternmost point.

The steps form part of an extensive system of coastal defenses that were built and strengthened following the devastating North Sea Flood that occurred in 1953. This winter storm hit on the night of Saturday 31 January and, coupled with a high spring tide, resulted in a storm surge of over 5 metres above the average sea level in some areas. Large areas of low-lying coastal land were deluged in the countries bordering the North Sea, particularly The Netherlands, where 1,836 deaths were recorded. Although loss of life was less severe in England and Scotland, there was still a tragic loss of 336 people. The flood waters reached as far as 2 miles inland in places and forced the evacuation of over 30,000 people from their homes.

The photograph below shows the outfall where The Cut enters the North Sea. This area is submerged at high tide.

FILM - At low tide

Olympus 35RC & Eastman Double-X.

Taken on 13 September 2019