This is the Methodist New Connexion Chapel in Sheffield. I’ve photographed the building before and the area – another part of sheffield where new construction is booming – is rapidly changing to something new. Many of the buildings that were present last time I walked past have now vanished to be replaced by blocks of apartments. But this chapel remains.
The building dates back to 1828, built three decades on from the founding of the church by Sheffield man Alexander Kilham after seceding from the Wesleyan Methodists. Early in the 20th century the church would become part of the United Methodist Church.
Bronica ETRSi & Zenzanon 50mm f/2.8 MC & Ilford HP5+. Ilfotec DD-X 1+4 9 mins @ 20°
I went out this evening after work with the intent of taking some long-exposure nighttime photos (for the photo comp I participate in that I’ve mentioned on here a few times). I took the Bronica loaded with some HP5+ with the intent on getting some light trails from traffic a busy road. I’d have preferred to shoot colour but I wouldn’t be able to get it developed in time to meet the end of the month closing date.
I drove out to the location, set up the Bronica, used my digital camera to work out a suitable exposure time and set up everything, including screwing in a cable release. It was too dark to focus with the waist level finder so I just set the focus to infinity and chanced it. Because the exposure was going to come in at a few seconds, I attempted to allow for reciprocity failure, deciding on an 8-second exposure. Feeling happy with all this I took three pictures. The first one I forgot to use mirror lock-up, so re-took it, just in case. Then the third shot I took was a different composition.
After this I packed everything up and set off back. It was only when I was almost home that I realised that I’d not removed the dark-slide when taking the pictures, meaning all three of them are going to be blank wasted frames! This was even more annoying because, normally, the camera won’t fire if the dark-slide is inserted, so I can only assume that using a cable release bypasses this somehow. Whatever the cause, I’m feeling somewhat pissed off about it. Partly because of the wasted film, but mostly for the fact that I now have to repeat the exercise again tomorrow.
Here’s a picture of some balloons I took earlier this month. I feel like the middle one right now.
Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9 mins @ 20°
Today’s post features one of those picture which I find oddly appealing. Something about it catches my eye despite it maybe being something that no-one else will glance at twice. I think that, in this case, it’s the light and the way it’s casting shadows across and onto parts of the scene. It had a nice three-dimensionality to it, I think.
I am wondering if I should have cropped it a little at the top to remove that bit of the hotel logo though…
Bronica ETRSi & Zenzanon 75mm f/2.8 PE & Ilford HP5+. Ilfotec DD-X 1+4 9 mins @ 20°
I’ve wandered around Kelham Island in Sheffield to take photos on many occasions and I still manage to find things I’ve not photographed before. This view east through Little Kelham is one such composition. The skyline will no doubt look different again before long once the cranes in the distance finish their work.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Fujifilm Pro 400H. Lab developed. Home scanned and and converted using Negative Lab Pro.
Behind the fence and trees flows the River Don. Across the river stands New Testament Church of God (formerly Holy Trinity Church). The chimney and large brick building to the left of the frame is Aizlewood’s Mill, which I wrote about the other day.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Fujifilm Pro 400H. Lab developed. Home scanned and and converted using Negative Lab Pro.
There’s a definite appeal to these block-like houses. It’s like someone has taken a cube of fresh clay, imprinted a brickwork pattern, and then cut perfectly angular upenings into the material. Despite the very up-and-coming nature of this part of town, I’m not sure I’d want to live in a home that people can walk so close in front of, and I’m unsure if they have any sort of green space such as a garden (although it could be atop the flat roofs for all I know). Photographically though, I find them very attractive.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Fujifilm Pro 400H. Lab developed. Home scanned and and converted using Negative Lab Pro.
So says the graffiti art on the wall beside this derelict building.
I seem to have got quite a lot of grain on this roll of Fuji Pro 400H. More than I recall seing when shooting it previously. It’s been develepoed at the same lab, and shot with the same camera as my last roll too. The main differentiator is that these were scanned on an Epson V700 rather than the V550 I’ve used previously. I’m not sure if that’s the cause though.
Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Fujifilm Pro 400H. Lab developed. Home scanned and and converted using Negative Lab Pro.