Film photography · Medium Format · Photography

Bowler hats and ghosts

My wife and I visited York in December to see the Christmas markets. As always tends to be the case at these things, the wares on offer were not cheap! That didn’t put us off buying some treats, and we came away with selections of cheeses and biscuits and other bits and pieces. It also seems set in law that there must be a stall selling bratwurst cooked over a charcoal fire at all these markets. I had a concoction of bratwurst, chips, and various toppings for my lunch, but there was some sort of jam stuff on there too which wasn’t really to my taste and I wish I’d just had a sausage in a bun instead.

Wandering round York city centre I took some pictures where I could with my Yashicamat 124G (and a few with my Olympus XA-3 which was tucked in my jacket pocket). It was pretty busy and trying to get pictures without someone walking into frame while I set up the shot or (more annoyingly) just as I pressed the shutter, was difficult.

The two shots here were taken at The Shambles, York’s famous medieval shopping street. This quaint street with it’s hundreds-of-year-old buildings is busy at the best of times as a tourist trap, but is made even busier by the fact of having a Harry Potter shop at one end, and The York Ghost Merchants at the other.

It’s the latter shop from which the two bowler-hatted gentlemen featured in today’s pictures were from. There was a queue of at least fifty people waiting to go into the shop to acquire their very own unique ghost (including a lot of overseas tourists. These spooky figurines are clearly popular!), so these people (of which there were at least four) were acting as crowd-control in the very narrow and very busy street.

The first shot was taken from close to minimum focus distance with me backed right up against the window of a baker’s shop. The second doesn’t look too busy, but you’ll notice that it’s cropped from the Yashica’s usual square format. This is because I has perhaps a quarter of a second to photograph the guy outside the shop before the crowds closed in again. There are people entering and exiting frame at the left and right of the full frame version.

Bowler hat
Keeping watch

Yashicamat 124G & Ilford HP5+ @800asa. Ilfotec DD-X 1+4 10mins @ 20°

Taken on 16 December 2023

Film photography · Medium Format · Photography

A note to self… take care when testing cameras

When testing a new (to me) camera, I should do this somewhere close to home and not, I repeat NOT, drive right out into the Peak District National Park to do so…

This is what I did today, with the intent of shooting a roll or two through my new Yashicamat 124G. I’d already taken a couple of pictures with the camera earlier this week and all had appeared ok, so I went out to the Derwent Dams to finish the roll (and maybe shoot another if things went well).

Everything started out ok although, despite Google Map’s promise of it being “not too busy” the main car park was full when I arrived, necessitating me finding a spot about a half mile away instead and then walking back to where I wanted to be. The walk is pleasant enough though, and part of it can be made beside the reservoir. A little downstream from Derwent Dam I spotted a nice photographic composition looking down towards Ladybower Reservoir. I took the first picture with no issues and then framed up another shot. However, when I pressed the shutter release nothing happened. I was momentarily puzzled – had I not wound the camera on after the last shot? Had I accidentally tripped the shutter? I wound on to the next frame and was able to take the shot successfully.

Slowly working my way up to Derwent Dam and then up the valley towards Howden Dam, I was able to take a number of shots without issue. An then it happened again. By now I was sure that it wasn’t my memory or an accident at fault, and started wondering if there was something set up on the camera that might be causing it. I couldn’t think of anything though and, having shot several hundred photos with my old Yashicamat 124G, didn’t feel that operator error was likely to blame.

I finished up the first roll and then made the decision to load another. I felt that, if I needed to return the camera as faulty, shooting another roll would reinforce the evidence I had of a fault. So I set off up a very steep footpath that led back to where I started, but halfway up the valley side. The first shot from the new roll was fine. The second gave me the same non-firing shutter problem. The third worked ok. I then decided to focus for a while on not having a heart attack during the uphill hike (I need to get back to the gym!). After quite a while I came upon a nice scene – an old and slightly rusty Landrover parked on the trail. Framing everything up I pressed the shutter and… it didn’t fire. What’s more, it would not fire at all now, even advancing the film and re-cocking the shutter several times. The button would depress, but the shutter would not fire.

At this point I decided enough was enough and that the camera would have to be returned. I managed to get a photo of the Landrover using my Olympus XA-3 which I had in my coat pocket. Annoyingly, after this, I found some very attractive woodland scenes that would have suited the Yashicamat perfectly, but which I couldn’t take proper advantage of. I took a couple of shots with the little Olympus, but I suspect the slow shutter speed it gave me will probably result in camera shake on the photos.

I’m hoping that the photos I did manage to take on the first roll will turn out ok, even if there will be two or three blank frames. I’m also going to try to re-wind the other roll in my changing bag. It’s Tri-X so not that cheap, With luck I might be able to use the remainder in another camera.

But this week will see me return the faulty Yashicamat and start my hunt for a replacement.

TLDR: Today’s picture has absolutely nothing to do with the above. The light is nice though, yes? 🙂

Dunston House

Canon Sure Shot Z135 & Kodak Gold. Lab developed. Home scanned and converted using Negative Lab Pro.

Taken 25 November 2023.

Film photography · Medium Format · Photography

Bins (and a new camera)

A new camera arrived in the post today. I say new, but it’s both used, and also a camera I already own, so not even new “to me”. It’s another Yashicamat 124G TLR.

I’ve had my current Yashicamat 124G for almost seven years, and it’s a favourite to use. It was my first proper medium format camera (I had a Lubitel 166 Universal before this, but the Yashicamat really surpassed it in terms of quality). Unfortunately my current camera has some haze in the taking lens. While this doesn’t always have an impact on the photos, sometimes it does, producing the occasional image with a foggy, low-contrast look. As I like using the camera a lot, I decided it would be worthwhile finding a replacement without the optical issue.

Just before Christmas I was alerted to a sale at a film camera supplier here in the UK and they had a very nice model there with 10% off, so I took the plunge. The new camera looks in very tidy condition (although my original model is hardly looking rough), so I’ll have to find the time to put a roll of film through it to make sure all is well. After that I’ll look for a new home for my old camera as, despite the haze, it’s still very capable.

It certainly isn’t ready for the bin (a feeble link to today’s picture, I think you’ll agree…).

Bins

Olympus OM-1N, G-Zuiko AUTO-W 28mm f/3.5 & Ilford FP4+. Ilfotec DD-X 1+4 @ 20° 10mins.

Taken 21 October 2023.

35mm · 4x5 Large Format · Film photography · Medium Format · Photography

Twelve favourite photos from 2023

As another year comes to a close it’s time for my annual selection of favourite pictures, one from each month. As is always the case with these things, the list is based on my thoughts in the moment and the selection could easily change if I were to pick them yesterday or tomorrow.

Looking back through the year I was curious as to which camera has been used most for my photography. I thought there might be two or three contenders for the prize but, in actuality, there was a clear lead in the shape of my Bronica ETRSi, which has been used to shoot sixteen rolls of film in 2023. In distant second place was my Yashicamat 124G with six rolls (including one I developed today and have yet to scan), and then a tie for bronze between the Olympus Trip 35, and the Fujica GW690. I wonder which camera will be most used in 2024? Tune in this time next year!

January

Crossing the Moss
Fujica GW690
Kodak Gold
Converted to B&W in Lightroom

I struggled to get colours I was happy with using Negative Lab Pro for this roll. It usually works very well, but this roll was having none of it, so I resorted to a monochrome conversion.

February

Motorway
Bronica ETRSi
Zenzanon 75mm f/2.8 PE
Ilford HP5+
8sec exposure @ f/22
Ilfotec DD-X 1+4 9mins @ 20°

March

Going about their business
Yashicamat 124G
Ilford HP5+
Ilfotec DD-X 1+4 9mins @ 20°

April

St. Peter's Church, Elmton, UK
Chroma 4×5
Fujinon NW 135mm f/5.6
Fomapan 100
Ilfotec DD-X 1+9 12 mins @ 20°
1/30sec @ f/32

May

Venetian scene
Olympus Trip 35
Kodak Colorplus
Lab developed. Home scanned and converted with Negative Lab Pro.

June

Past the lifeguard flag
Olympus OM-1N
G-Zuiko Auto-W 35mm f/2.8
Ilford HP5+
Ilfotec DD-X 1+9 @ 20° 15mins 45secs

July

Skegness lifeguards
Bronica ETRSi
Zenzanon 75mm f/2.8 PE
Kodak Portra 400
Lab developed. Home scanned and converted with Negative Lab Pro

August

Watching the world go by
Bronica ETRSi
Zenzanon 150mm f/3.5 MC
Ilford HP5+
Ilfotec DD-X 1+4 @ 20° 9mins

September

St Peter and St Paul's Church, Sturton-le-Steeple
Chamonix 045N-1
Fujinon NW 135mm f/5.6
Fomapan 100
Ilfotec DD-X 1+4 8mins @ 20°

October

This year's autumn
Fujica GW690
Kodak Portra 400 NC (expired 2007)
Lab Developed.
Home scanned and converted with Negative Lab Pro.

November

Rother Valley sunrise
Canon Sure Shot Z135
Kodak Gold
Lab developed. Home scanned and converted with Negative Lab Pro.

December

Garden shed
Yashicamat 124G
Ilfotec DD-X 1+4 @ 20° 10mins

I expect that December’s picture might be changed as I still have a bunch of other stuff to develop and scan, and there may be shots amongst those that I prefer.

So that’s another year’s round-up. Now onto 2024! Have a happy New Year everyone.

Film photography · Medium Format · Photography

Autumn trees

I was going to say that this post features the last of this year’s crop of autumnal pictures, but I have a few more on a roll of 35mm Kodak Gold still to be uploaded, so there will still be a few more to share (although I expect it will be after Christmas before that happens, unless I move them up the schedule).

The two pictures here were taken near the village of Barlow in Derbyshire, not too far from Chesterfield. I’ve driven past the lone tree pm a few occasions and noticed that it has a handy public footpath running through the field beside it. Whit it was the main reason I got out of the car with my camera, I think I prefer the first shot of the woodland, which has a nice selection of autumnal tones against the slightly hazy blue sky. The lone tree is ok, but I think there is a better photograph to be had.

I’ve managed to shoot (almost) a couple of rolls of 120 Ilford HP5+ this weekend during an overnight trip to York with my wife to visit the Christmas market. I’m not sure how they will turn out – I rarely make my best pictures when I’m out with someone else, and always feel like I’m rushing or missing things. I’ll hopefully get a chance to develop them soon though, so we shall see…

The edge of autumn
Lone tree in a field

Bronica ETRSi, Zenzanon 150mm f/3.5 MC / Zenzanon 75mm f/2.8 PE & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 25 November 2023.

Film photography · Medium Format · Photography

Church and willows

A few miles south from the Herdings Twin Towers that I posted about yesterday lies St. Peter’s church at Greenhill. The church was built in 1964/65, so is a relatively modern structure. It’s slightly squat spire always has an air of a witches’ hat, I think.

The early morning light was casting a beautiful glow onto the willow trees that grow beside the church. I don’t think my photograph does proper justice to the light.

St. Peter's Church, Greenhill
St. Peter's Church, Greenhill-2

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 25 November 2023.

Film photography · Medium Format · Photography

Herdings Twin Towers

This pair of residential towers are a Sheffield landmark. Not particularly because of the way they look, but their location at the top of the Herdings district means they are widely visible from across the city and can be seen from many miles away, particularly from the east.

They were built in 1959 and there were originally three towers named Leighton, Morland and Raeburn and were referred to as The Three Sisters, but Raeburn was demolished in 1996 when it was deemed unsafe following the discovery of a fault in the ground where it stood. The remaining two towers were renamed as Queen Anne Court and Queen Elizabeth Court and are now sometimes known as the Herdings Twin Towers.

I’ve driven past them at sunrise before and always thought they would make for a nice picture, so a few weeks back I decided to go and make one. The light was nice on the day, but I’d have preferred a bit of cloud to break up the blue sky. The image is also vey slightly soft despite me using a tripod. An excuse to re-visit the location at some point, I think.

Herdings Twin Towers

Bronica ETRSi, Zenzanon 150mm f/3.5 MC & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 25 November 2023.

Film photography · Medium Format · Photography

On Remembrance Day

I took this picture on my way home from my autumn walk in the Peak District (which I ‘ve posted about over the past three days). I was driving through Coal Aston, a district that sits about halfway between Sheffield and Chesterfield, and saw how the morning sun was illuminating the front of this church and making vivid the colours of the Remembrance Day poppy displays.

Primitive Methodist church, Coal Aston

I found a place just down the road where I could park and then walked back to take the photograph from across the street. The lady in the purple jacket walked through the scene as I was focusing the camera, and then stopped to look at the bus timetable at the bus stop, so I got a human element in the picture, which is nice.

Bronica ETRSi, Zenzanon 75mm f/2.8 PE & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 11 November 2023.

Film photography · Medium Format · Photography

Scenes from an autumn walk part 3

I wasn’t going to include these pictures as part of this sequence of autumn walk posts but, given they were shot on the same outing and also depict autumnal conditions, it seemed a bit silly not to.

These were among the first pictures from a roll of Kodak Portra 160 and were shot in Padley Gorge, which is right next to the Longshaw Estate where the earlier photos were taken.

Gritstone oak leaf

They’re not the best pictures I’ve made at this location, but they’re not horrible either, and I do like the one with the leaf on the boulder quite a lot.

Cascade

Getting down to the side of Burbage Brook which runs through the gorge can be tricky. The sides are steep and laced with slippery roots, unstable topsoil, and a large volume of rocks – some slippery with moss, some unstable underfoot. Without care, it would be quite easy to gain an injury, potentially a serious one. Beside the brook is where the best photos are to be had though.

By Burbage Brook

Still, I managed my descent safely – something made simpler when I spotted another photographer taking a much easier route. Even better, I was able to escape again afterwards!

On the edge in autumn

Bronica ETRSi, Zenzanon 75mm f/2.8 PE / Zenzanon 150mm f/3.5 MC & Kodak Portra 160. Lab developed, home scanned & converted with Negative Lab Pro.

Taken 11 November 2023.