This old mobile library made for a colourful photograph. It’s only upon looking at it later that I realise that it’s probably not a mobile vehicle any longer. Not unless it has a very unique driving position…
Fujica GW690 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
There were a number of military re-enactment groups at Haxey Feast covering a variety of conflicts. I spoke to people from a number of the groups and it was interesting to find out more about the provenance of the uniforms and equipment they wore and used. Something I learnt was that the UK city of Leeds (famous for its textile industry) was a major supplier of cloth for the confederate army to produce their uniforms. Also, that the final surrender of the American Civil War took place in Liverpool, England, when the CSS Shenandoah, a confederate warship, surrendered to the British government.
I was also treat to some grisly details of how battlefield medicine and surgery was conducted during the Anglo-Zulu war on 1879.
Portraits I made of two of these re-enactment groups can be seen below.
Fujica GW690 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
The undoubted surprise highlight of my visit to the Haxey Feast, was when a helicopter landed.
I’d overheard murmurings from some of the people with displays that it was due to take place, including one guy who was battening down the hatches for fear that the downdraft would blow away the items he had on display.
Sure enough, a number of the event stewards asked people to vacate an open grassy area and formed a loose circle to keep people back from the landing area. I checked the direction of the light and positioned myself where I though I might have the best chance of getting a shot or two – as simple as it is to use, the rangefinder on the GW690 isn’t the easiest to achieve focus with, especially on moving subjects.
Happily, both the pictures I shot came out well. The first was the helicopter’s descent. The second as it was flying away again (it only stayed on the ground for a few minutes).
For anyone interested, it is apparently an Airbus H120.
Fujica GW690 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
When I visited the Sheffield Steam Rally back in June, I noticed that some people had been given leaflets for “The Haxey Feast”, another vintage rally taking place at the village of Haxey in North Lincolnshire. Having never visited this before and as it’s not too far away, I marked it in my diary.
It was a much smaller event than the Sheffield Steam Rally but it’s quite a new thing, being in just its second year (according to someone that I talked to who had a display), so it will hopefully grow in coming years, especially now that the Lincoln Steam Rally is no more.
I shot three rolls of medium format film with my Fujica GW690 while there: one Kodak Ektar, one Fuji Pro 160NS, and one Fuji Velvia 50. The pictures shared today are from the latter.
I don’t shoot a lot of medium format reversal film, although I have quite a few rolls, and it can be tricky to get the metering right. I don’t think I’ve done too bad a job here, although maybe the shadows are a little dark, but I guess Velvia 50 is pretty tricky in that regard. I’ll try to shoot more reversal film if I get a chance when the autumn colour comes through more.
There are a few other shots from this roll that look nice too, but I got some scanning artifacts and haven’t had chance to re-scan them yet.
I believe the cars are, in order of appearance: a Chevrolet Stylemaster, a Volkswagen Karmann Ghia, a group of Beach Buggies (is there a collective noun for these? 🙂 ), and a Mercedes-Benz 300 SEL.
Fujica GW690 & Fujichrome Velvia 50. Lab developed. Home scanned and converted with Negative Lab Pro.
Back at the end of June I spent the day in Blackpool for The Big Film Photowalk, a series of events around the country that had been organised by Analog Wonderland, the UK based film stockist. I posted about the events of the day here.
While the photowalk in Blackpool took place in Stanley Park, about a mile or so from the seafront, I parked near the town centre as my wife and her sister had accompanied me for the day and were planning on wandering round the shops while I went to take photos. As I was early for the photowalk, I took the chance to go and shoot some photos on a second camera I’d brought with me – my OM-10 – loaded with a roll of expired Fuji C200.
As I said in my other post, the weather on the day was not what I would have chosen. And while the photowalk had its share of drizzle and gloom, the beginning of the day along Blackpool’s seafront was worse, with bouts of full rain and a stiff breeze to contend with. I wasn’t confident of success, especially as I would usually prefer black and white for these conditions, not expired C41 film. Thankfully though, I was wrong, and I really like these colour pictures. They certainly capture the mood, and where there is colour in the scene, it really jumps out of the frame.
I managed to get pictures of the central and north piers, some (unused!) deckchairs, the sea defences, and obligatory shot of Blackpool tower, a shelter, a slightly pitiful looking crazy golf course, and some hardy metal detectorists on the beach.
Olympus OM-10 & G.Zuiko 35mm f/2.8 on Fujifilm C200 (expired 2012 and shot at 100asa) . Lab developed. Home scanned and converted with Negative Lab Pro.
I still have a sizeable backlog of photos that I haven’t yet published on the blog (or, in some cases, even uploaded to Flickr yet). I’ve already posted quite a few pictures that I took at this year’s Sheffield Steam Rally back at the end of June, but those were all medium format shots. I also finished off a roll of expired Fuji C200 on the day as well, and the photos below are the best from that batch.
Hopefully, in the coming days, I’ll share the rest of the photos from this roll, which were taken elsewhere and turned out better than I had expected…
Olympus OM-10 & G.Zuiko 35mm f/2.8 on Fujifilm C200 (expired 2012 and shot at 100asa) . Lab developed. Home scanned and converted with Negative Lab Pro.
A few years ago I took an inventory of all the film I had and created an Excel spreadsheet so I would know how much film I had, of what type, and how old it was. Over time the data began to slip when I forgot to update the inventory upon shooting a rol or acquiring more. I’ve been meaning to update it for a while now, and today was the day.
It turns out I have a lot of film. One hundred and sixty eight rolls (or, in the case of 4×5, boxes) to be exact. And I have fifteen more rolls heading my way next week! This has been acquired since I started predominantly shooting film again around 2016. I bought a bit here, a bit there, but clearly at a greater rate than I manage to use it.
The breakdown is as follows:
45 rolls / boxes of black and white film
88 rolls / boxes of colour negative film
35 rolls of colour reversal film
The breakdown by format is:
35mm – 86 rolls
Medium format – 78 rolls
4×5 – 4 boxes – apart from one these are not full ( a couple of them only have 6 sheets remaining)
The majority of the film in the stash is also expired. a few rolls are several decades old, but most is quite recently expired and, as it’s been refrigerated or frozen, should be perfectly fine to use still, although I am conscious of the fact that it ain’t getting any fresher either!
The breakdown of expiry by decade is:
1970s – 2 rolls
1980s – 5 rolls
1990s – 9 rolls
2000s – 24 rolls
2010s – 19 rolls
2020s – 76 rolls
Unknown expiry – 7 rolls
In date – 26 rolls
What this exercise tells me, is that I ought to stop buying any more film and shoot what I have. To be fair on myself, this is what I’ve been doing but, unless I start using a motor drive, it’s a slow process and likely to be curtailed sometimes when I need to buy film that I use often (such as 400asa black and white like HP5+ or Tri-X) or, thankfully less frequently, when I see a deal on film that is worth taking advantage of (as is the case with the 15 rolls I have coming soon).
But the stuff I already have, well I need to start making a better effort to go and shoot it, particularly in the case of the much older stuff (some more Expiriment posts, perhaps?), but also with the stuff that I perhaps hold onto because I see it as precious, maybe because it is no longer in production, or perhaps because it is expensive. I have a tendency to hold onto this film while I wait for the perfect conditions to shoot it, conditions which rarely occur. While I don’t want to waste film on throwaway photography, I do need to be less prescriptive on where and when I will shoot film that is getting longer and longer in the tooth.
I’m fortunate to have acquired such a stash – I could shoot a roll a week for over three years and not run out – but I really want to see it reduce somewhat. Maybe I’ll gift a few rolls as Christmas presents, but what I really need to do is get out and shoot some of it!
This is just the stuff in the fridge. I also have an entire drawer in the freezer (which I suspect my wife would like to be able to store food in…)!
I’m really happy with the colours I got from this roll of Ektar. Coupled with the GW690 and the fact that the 6×9 negatives allow for a noticeable shallow depth of field even at f/5.6, these were a great set of pictures to behold when they came off the scanner.
I have more pictures from this year’s rally shot with my Olympus OM-10, but I’ve not uploaded any of them to Flickr yet, so they will wait for a later day.
Fujica GW690 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.
The Honda C-90 is a variant of the Super Cub range which has, remarkably, been in continuous production since 1958!
I never had a particular interest in motorbikes, but two of my friends from my teenage years were, and they used to refer to these bikes as “plastic pigs”.
Fujica GW690 & Kodak Ektar. Lab developed. Home scanned and converted with Negative Lab Pro.